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From the Artist Tribe - Art Journaling with Teabags and Stencils

Jill McDowell from the Artist Tribe is jumping in today with a new art journal page done with teabags and some of my newest stencil designs.

Art Journaling with a Tea Bag and Stencils - Jill McDowell

Jill used my new "Not Afraid to Try" stencil as well as my Chinese Garden Plum Blossoms stencil to make this gorgeous art journal page. Make sure you stop by her blog for more photos and details on how this page came together!

 


From the Artist Tribe - Boro Meets Boho Stenciled Handbag

The weekend brings another fabulous project from the Artist Tribe as Lynda Shoup shows how she used some of my stencil designs to bring boro stitching and boho style together in this fun and functional handbag!

Stenciled-and-Boro-Stitched-Handbag---Lynda-Shoup

Lynda used designs from my Decorative Medallion stencil as well as my "Not Afraid to Try" stencil to decorate this bag, then added all of that lovely boro stitch work and some fun beading! Make sure you head over to her blog to get all of the detail and lots more photos.


From the Artist Tribe: Getting Grungy with Vintage Photos

The Artist Tribe and I have all been busy lately, but we're back today! Linda Edkins Wyatt is bringing grunge and vintage together in these gorgeous art journal pages using old family photos. 

FOOTBALL-FINAL-LARGE

Linda is using techniques she learned in "Radiant Rust" a class she took with Seth Apter a few months ago, and the results are stunning!

WeddingGrunge1942

Linda used embellishments cut from sari scraps as well as a mix of various Baked Texture embossing powders to help achieve all of those gorgeous, grungy effects! Make sure you head over to her blog to get more photos and all of the details on these beautiful art journal pages!

 


From the Artist Tribe - Boho Collaged Flowers

The Artist Tribe never stops creating inspiring work, and today Jill McDowell is sharing a stunning piece of mixed media artwork she made in my "All Mixed Up" workshop at Mary Beth Shaw's studio in St. Louis two weeks ago, along with a workshop summary. Here's a little peek at her finished artwork:

Boho Collaged Floral Canvas by Jill McDowell

Jill used Dresden trim, a bunch of my stencils - including the new Decorative Flower Stamen Medallion stencil (and you may also see one here that's going to be released in June that was handed out to workshop attendees as a special surprise!) Make sure to head over to Jill's blog to see the entire piece and get all the details on her class experience!


Mini Stenciled Handmade Art Journal - StencilGirl & Lindy's Stamp Gang

Welcome to day one of a fabulous, inspiration packed blog hop with StencilGirl and Lindy's Stamp Gang! I've been excited to participate in this collaboration because Lindy's has some wonderful products that work perfectly with stencils and they'd been on my "to-try" list for ages! 

For my project, I decided to make a handmade mini art journal; I thought it would be a great way to showcase several fun techniques in a single project. Here you can see the outside of the book as well as the inside of the front cover and the first page:

Stenciled-and-Sprayed-Mini-Art-Journal---Gwen-Lafleur

  Stenciled-and-Sprayed-Mini-Art-Journal-Inside---Gwen-Lafleur

Of course, I put together some tutorials as well so that you can see how I used the different products. I really loved the effects I was able to get as I experimented!

I made the book using Indian cotton rag paper and bound it with the pamphlet stitch. In the past when I've used this binding I've had lots of requests for a tutorial, so this time I took pictures of the process so that you can see how to bind your own book. It's fast and easy!

To start, I took some very heavy-weight cotton rag paper (640 gsm, but you could also use chipboard) and measured and then folded so I'd have creases for my "cut" lines. (I took a class at SAIC in Chicago from a printmaker who impressed upon us that one should never cut the papers... you always tear them with a bone folder. Sometimes I ignore that advice, but because the paper had deckled edges, I tore so that it would match all the way around.)

I left it a few inches longer than I wanted the book to be so that I could fold up the flap to make pockets on the inside covers. Then I tore and folded five sheets of paper to make my book block, making sure to crease each one with my bone folder. (I don't generally like to do more than five sheets in a signature, especially with this kind of binding and the thickness of the paper I used - otherwise it doesn't lay as flat as I want it.)

Pamphlet-Bound-Art-Journal-Step-1-4---Gwen-Lafleur

Next, I made a jig - I just took scrap paper and cut it to the height of my book pages, folded it in half, and marked where the holes were going to be. This is the template you use to make sure that your holes are always in the same place. Technically you don't really need to do this with a single signature like this, but force of habit, I guess! I nested the folded papers, lined up the jig inside, and used my awl to poke the holes. (A traditional pamphlet binding has an odd number of holes, and this one just had three.) I generally place the awl and then let the pages fall so they're laying over my hand before pushing it through; this helps ensure that the tip of the awl will come out in the crease... if you poke the holes with the pages open, it's more likely that the awl will come out to one side of the crease instead. (Hopefully that makes sense!) 

Then it was time to start binding. I took waxed linen thread and cut the length to about 2-1/2" to 3 times the height of my book and then threaded it onto a tapestry needle. For this method, I start in the center hole and stitch from the outside in, leaving a tail of about 3-4" hanging out of the hole. (Bottom-right photo above.)

Stitch 2, go from the inside out (top left photo below,) then on the outside, bring your needle across to the other hole and go back inside (top-right photo below.)

Pamphlet-Bound-Art-Journal-Step-5-8---Gwen-Lafleur

Finally, on the inside you go back out through the center hole (bottom-left above,) and then tie it off on the outside... this way you don't have any gaps in the thread on the inside or the outside so it looks nice and clean. That's all there is to making your own art journal with a pamphlet stitch... I did say it was easy, right?

Now, on to the techniques with stencils, powders, and sprays!

For the covers, I used one of my favorite techniques - embossing powder resist. To do this, I took my Art Deco Peacock Feathers stencil and stenciled with clear embossing ink all across the covers (the stencil repeats so you get a seamless pattern!) Then I heat embossed with Lindy's Midnight Teal embossing powder. Then I used the Dark Chocolate Truffle shimmer spray with a dauber cap to add color in spots around the covers... the melted embossing powder will naturally resist the dye so you only stain the paper.

Mini-Art-Journal-Covers---EP-Resist-Step-1-4---Gwen-Lafleur

I followed up by spritzing with Mystic Malachite vintage spray, and then sprinkled some powder from the Oktoberfest Orange Magical Shaker and spritzed that with water to activate it. I added enough water that it would spread, but not so much that it would completely dissolve all of the powder - I wanted a bit of texture on the surface.

When everything was dry, I sprayed the cover with Krylon Crystal Clear acrylic coating and left it to dry overnight. This sealed anything that was water reactive so that I could work on top with wet mediums if I wanted to add more layers, and also ensured that great texture from the Magical Shaker wouldn't rub off.

Mini-Art-Journal-Covers---EP-Resist-Step-5---Gwen-Lafleur

I added some washi tape on the spine and a bit on the edges for a decorative touch, and the covers were done!

Stenciled-and-Sprayed-Mini-Art-Journal-Covers---Gwen-Lafleur

While I was in the groove, I decided to go ahead and start working on the inside pages of the book. I thought it would be fun to add some stitching and maybe custom dye my thread while I was at it! I started that step first and poured some of the Buccaneer Bay Blue vintage spray into a small paper cup, then added a few yards of regular 6-strand white DMC embroidery floss. I made sure it was totally submerged, then let it soak for a bit. After the color was strong enough, I pulled out the dyed thread and spread it on a paper towel, then used my Guten Tag Teal magical shaker to get a little more color in spots... I spritzed that with water to activate it.

Embroidering-with-Stencils-and-Lindy's---Thread-Dying-Step-1-4---Gwen-Lafleur

Voilà! Custom dyed thread! With that done, I was ready to prep the shape I was going to embroider, so I took out my Ornamental Embroidery stencil and used the Mystic Malachite vintage spray to get the pattern onto the paper. Then I mixed up my own fluid acrylic paint using Shabby Turbine Teal and Rusty Lantern Lime from the Industrial Chic Shimmer Magicals set along with some fluid matte medium.

Embroidering-with-Stencils-and-Lindy's---Pattern-Prep-Step-1-4---Gwen-Lafleur

I painted the center of my stenciled design with my custom color, then used the Dark Chocolate Truffle shimmer spray as a paint to add the details. Finally, I took my dyed thread and just back-stitched around my design and then added some gold seed beads.

Embroidering-with-Stencils-and-Lindy's---Stitching---Gwen-Lafleur

My embroidered embellishment was done, so on to the background! I took my Ornamental Petals Screen stencil and then stenciled with the Dark Chocolate Truffle shimmer spray and a sponge so that it wouldn't be quite as dark and I could get crisper lines.

Sprayed-and-Stenciled-Art-Journal-Page-Background---Gwen-Lafleur

Next, I found some collage paper in my stash that was the perfect shade of green and already had my Art Deco Medallion stencil applied on top with gold texture paste, so I tore that out and adhered it to the background, then tore out my embroidered embellishment, inked the edges with brown and black ink, and glued that on top. I also sprinkled some more Oktoberfest Orange Magicals on the background and spritzed with water - love that color!

Remember that paper towel I used earlier to lay out my dyed thread? There was no way I was throwing that out... it was too cool looking! So I took a large shipping tag (the perfect size for the pocket on the inside of my cover,) and used some matte medium to adhere the paper towel to the tag. I scrunched it up in places so I'd get some nice texture.

Sprayed-and-Stenciled-Tag---Step-3-4---Gwen-Lafleur

From there I brushed on some gold paint to highlight the texture and integrate the paper towel into the background, then stenciled parts of my Art Deco Sun Medallion Repeating Corner stencil onto the tag with black ink.

I wanted a focal point on the tag, so I took the Retreat Circle stencil by Seth Apter and stenciled that, again with black ink, and then stenciled the word "Lost" from Seth's Text and Texture Transform stencil in the center of the circle. (I want to use "found" as the word on a tag in the back pocket.)

To make the word stand out a bit more, I traced over it with a water pen, and then sprinkled pigment powder with the Black Forest Black Magical Shaker, then flipped the tag over and tapped off the excess. I was worried that it would bleed a lot, but it worked really well!

Sprayed-and-Stenciled-Tag---Step-3-4---Gwen-Lafleur

For the finishing touches, I used my custom fluid acrylic paint to paint the inside cover above the pocket, then used the same technique from the covers along with my Ornamental Floral Screen stencil to embellish the pocket.

Stenciled-and-Sprayed-Mini-Art-Journal-Inside-Cover---Gwen-Lafleur

Finally, I mixed some of the Steel Shimmer and Steampunk Sepia powders from the Industrial Chic Shimmer Magic set with some sand texture paste to make my own grungy finish to put on the edges of my tag and on the covers.

  Magical-Powder-Texture-Paste---Gwen-Lafleur

Whew... that's it for today! I'm looking forward to continuing to work in my new journal, but in the meantime, here you can see how the tag and first page turned out:

Stenciled-and-Sprayed-Mini-Art-Journal-Inside-2---Gwen-Lafleur
Stenciled-and-Sprayed-Mini-Art-Journal-Inside-2---Gwen-Lafleur

 

Now for the part you've all been waiting for... 

GIVEAWAY!


One lucky winner will receive both a $25 Gift Certificate to Lindy’s Gang AND a $25 Gift Certificate to StencilGirl Products!

Lindy's Gang Blog Hop Giveaway
Enter to win by leaving a comment below, then be sure to visit the other blogs in the hop and comment to win... the more blogs you comment on, the more chances you have to WIN! One winner will be chosen at random from all blog comments!
(One comment per person, per blog please.)

You have until Tuesday, April 24th at 11:59PM Central Time to leave your comments.
The winner will be announced on StencilGirl's Facebook page and Lindy’s Gang’s Facebook page on Wednesday, April 25.

 

Today's Blog Hop Order:

Mary Beth Shaw
Gwen Lafleur <-- you are here!
Mary C. Nasser
Debi Adams
Tina Walker
Kate Palmer
Cindy Wille
Natalie May
Pascale Bernard
Anat Weksler
Bertheas Peggy aka Nirvana
Elena Martynova


From the Artist Tribe - Art Deco Portal

Linda Edkins Wyatt from the Artist Tribe is jumping in today to share an absolutely fabulous Art Deco inspired mixed media project! I absolutely love the quote by Rumi that she used - it really resonates with me!

 

IMG_1402 final portal

For her piece, Linda used my Art Deco Bookplates stencil, along with some Turkmen jewelry parts, plus some brads and other metal findings and accents. Make sure you head over to her blog for all of the details and lots more photos!