I love embossing powder. Love it. So when I found out that the StencilGirl team would be doing a blog hop with Emerald Creek (who makes pretty much my favorite embossing powder ever,) I may have jumped up and down a little in excitement. (On the inside, at least!) I started heat embossing twenty or more years ago as I dabbled in other crafts, but as my interests have evolved, my love of embossing has remained. I never get tired of watching that powder melt, and in recent years I've found a few ways to make it even more fun to use! I've mixed a few of my favorite techniques together in today's project, which is an 8"x10" abstract mixed media panel with lots of EP and stencils.
I've put together a little tutorial so you can see how I used the various products in this piece and hopefully give it a try yourself!
To start, I took a plain 8x10 canvas panel and coated it with black gesso.
I set that aside to dry and pulled out a few sheets of deli paper that had some paint on them and not much else - I formed my color palette as I looked through what I had that was already painted and ended up with yellow, teal, dark gray, and a kind of blend of all of the colors with a bit of stenciling already on it. I pulled out a few different stencils, inked through them with a foam applicator and pigment ink, then heat embossed the designs.
I used the X Rows stencil by Michelle Ward along with Mirror Gold embossing powder, my Ornamental Floral Screen stencil with some Fractured Ice Embossing Crystals, and two StencilClub stencils by Mary Beth Shaw: the one on yellow is the 6x6 from the April 2016 StencilClub collection used with Oil Rubbed Bronze EP, and the one on teal is the 9x12 from the January 2016 StencilClub kit along with Northern Lights EP.
I wanted to have each paper be roughly one quarter of a wonky circle, so I made a template from a piece of copy paper and used it to cut the pieces I wanted from my embossed deli paper, then adhered them onto the panel with matte medium. When collaged, deli paper wants to wrinkle much more than regular paper - sometimes I want that look and let it happen, but here I wanted it smooth so I used an old hotel room key and scraped it over the top to force out all of the bubbles.
I let the panel dry thoroughly at that point since I was going to add more embossing powder, which would stick to anything that was still wet. Once dry, I used some soft gel medium and painted a thick outline around my circle of patterned papers, then used Charred Gold EP on that. I did not let that dry - if you melt embossing powder on a wet acrylic medium, it will bubble... and I love to make it bubble. (However, it will also create some not-so-lovely fumes - protect your nose and mouth or even better, use a respirator while doing this - especially for extended periods of time.) You have to be careful that you don't burn it, but this process makes a really fabulous texture in your work.
With the circle done, I got out the Verdant Moon stencil by Carol Wiebe and used gold pigment ink to stencil parts of the border designs into a slightly skewed cruciform over the seams of my papers. I embossed that with more Charred Gold EP.
To create a bit of a halo effect around the circle, I just used some teal fluid acrylic paint along with acrylic glazing medium and my finger and spread the paint around the edge of the embossed circle.
Next, I glazed the patterned sections with gray, then used some gold paint in a fineliner bottle to scribble an echo of the embossed circle.
I wanted to add a touch of contrasting dimension and texture, so I used some Pebeo relief paste to add tiny gold glass seed beads into the center of my Xs. (As you can see here, I generally use a needle or hatpin to place beads.)
With that, the background was done and it was time to start building my focal point. I started by stenciling my Art Deco Sunburst Medallion stencil onto deli paper that had been painted black, then I embossed it with Mirror Gold EP. Next I took a shape from the Periscope Die Set by Seth Apter that had been cut from a thin sheet of teal colored aluminum and added some alcohol inks, then glued it on top.
I cut around the diecut piece and then adhered it onto my panel. To go on top, I rounded up a few found objects - a metal clock face, some broken jewelry parts, and a glass Turkish Nazar. I assembled those into a focal piece and adhered it in the center of the diecut.
Finally, I added a sprinkling of Pyrite Gemstones around the border of my focal piece, and it was finished!
Here are a few closeups so you can see some of the details of the embossing - it's such a natural pairing with stencils!
Whew... that's it! I hope you enjoyed today's project as much as I enjoyed making it :)
Now for the best part... we have two amazing giveaways this week!
One lucky winner will receive a $25 Gift Certificate to StencilGirl Products AND a $25 Gift Certificate to Emerald Creek!
Enter to win by leaving a comment on this post, then be sure to visit the other blogs in the hop and comment since the more blogs you comment on, the more chances you have to win! One winner will be chosen at random from all blog comments. (One comment per person per blog please.)
You have until Tuesday, December 19th at 11:59PM Central Time to leave your comments. The winner will be announced on StencilGirl's Facebook page on Wednesday, December 20th.
Seth Apter is also generously giving away his original artwork which he created for this blog hop!
Head over to Seth's blog and leave a comment on his post to be entered to win this piece. You need to do this by Tuesday, 12/19 at 11:59PM Central Time to be eligible.
Here are all of the posts so far:
And... don't forget to come back tomorrow for the final four projects!