As usual, there's a tutorial, so make sure to head over for that and more photos of the finished project. Enjoy!
As usual, there's a tutorial, so make sure to head over for that and more photos of the finished project. Enjoy!
Hi everyone! Welcome to day 2 of this week's blog hop with StencilGirl Products and Amazing Casting Products! I'm excited to be joining in since I love using molds and resin in my work, and using them with stencils was even more fun!
For this project I took some left-over packaging (it was the box from the ceramic Peking Opera mask that I used in a panel I shared last week,) and turned it into a decorated case for a mini handmade book. Can you tell where I used molds and resin with my stencils?
I put together a little tutorial for you, including a fun technique I came up with using Amazing Casting Products mold making putty and resin with a few of my stencil designs.
First up, my new technique. I wanted to use some of my new Art Deco stencils (here I'm using my Art Deco Borders stencil,) but I wanted to work with a smaller size. So, I inked the part of the design I wanted to use onto a piece of Shinky Dink film.
Next I used an X-Acto knife to cut out the inside pieces. Since this was going to shrink a lot, and since it takes a fair amount of effort to cut through the film, I only cut out the details I really wanted to have show that were big enough to look good in a much smaller size.
Then I cut around the outside of the design with a pair of sharp scissors. I repeated this process using my Art Deco Medallion stencil, then followed the instructions on the package to shrink them in my oven. It did take a few tries reheating and uncurling the plastic for the medallion, but in the end, they both worked!
Now that I had my stenciled designs in a smaller, 3D version, I could move on to the next step - making molds so that I could create multiples! (Please keep in mind that all of StencilGirl's stencil designs are copyrighted, so you should only do this for your personal use, or for use in one-of-a-kind artwork that you sell.)
I took my Amazing Mold Putty and made molds of both of my mini stencil designs.
Then I took some white casting resin and cast both molds. When they were cured (which only takes about 15 minutes!) I cleaned them up a bit and then they were ready to use!
Before I started I had a few ideas for how I'd planned to use these, but once I got to this point I realized that the shapes I'd picked would fit together perfectly to make some really cool embellishments! I got out my Aves Apoxie Clay and mixed up a small amount to start connecting things together and then to start adding to the structure.
You can see above (middle photo) where I added thin ropes of clay around the edges as a border and then used it to start adding other bits onto the structure. I also put dots of clay in a few spaces and then indented the middles in order to create a space to add a jewel or pearl or something later on.
Next up, I painted it. I used gold and bronze metallic acrylic paints as well as a patina colored paint to make it all more cohesive. I also added a metal gear and a random piece of Turkmen jewelry and painted those as well so they'd all go together.
You can see in the photo above right that I did end up adding some jewels, and also glued one of my embellishments to a scrap of Chiyogami paper so that you could see some of the color and pattern through the holes.
With that done, I set my new embellishments aside to dry and started working on the box. I taped off the metal corners and spine (it had a cool design I wanted to keep) and then gesso'd the whole thing.
Then I used metallic gold and turquoise paints... you can see where I used my heat gun to bubble them a bit (I love the texture it adds!)
Once the paint was dry, I used my Art Deco Sunburst Corners stencil and some gold embossing paste and added a bit of dimensional pattern to the cover of the box.
With the outsides of the box painted and ready to embellish, I started working on the inside. First, I stenciled a piece of blue mulberry paper with my Art Deco Sunburst Background stencil and bronze paint.
I tore those down to the sizes I want and then adhered them (inking the edges of the piece for the inside cover first.)
To embellish the inside cover, I decided to use another molded piece. This time I made a mold of an old vintage metal face that was sent to me from Latvia and then cast that with resin and painted it to look like the original piece.
The resin takes paint so well - it was actually almost hard to tell which was the original when I was done!
Once dry, I took my new embellishment and layered it with some other metal pieces and adhered them to the inside of the cover.
Next up, to embellish the back of the box, I taped off a section of my Art Deco Borders stencil so that I could just stencil the middle circle I wanted to use. I stenciled on deli paper with pigment ink and then heat embossed with a mix of Emerald Creek embossing powders.
I cut that out and adhered with matte medium.
To finish off the inside of the box, I attached some different trims, then added a bit of gold dimensional paint.
Whew... that's done. Back to the outside of the box!
With my resin & clay medallions cured and dried, I could finish up the cover. I adhered the medallion with the Turkmen jewelry pieces to the front in the center, then used a Tsukineko irRESISTible Pico Embellisher to fill in some of the stenciled sections.
While that dried, I moved on to make the handmade book that would fit inside. I measured to see how big it could be, then cut down some pieces of Davey board and made a little 3"x5" book using the single-sheet Coptic binding. I painted the covers with a turquoise background paint by Matisse, then used a section of my Art Deco Bookplates stencil and some gold pigment ink to stencil the cover.
I heat embossed the stenciled area with gold embossing powder, then adhered my other resin and clay medallion into the center and embellished it with some acrylic rhinestones.
When all was dry, I put the book into the box - all ready to have the pages filled and to be a fun display piece when I wasn't using it.
Here are a few more photos and close-ups of the finished project so you can see some of the details:
One lucky winner will receive both a $25 Gift Certificate to StencilGirl Products
AND a $25 Gift Certificate to Amazing Casting Products!
Visit the fabulous designers from both teams and comment for your chance to win!
The more blogs you comment on, the more chances you have to WIN! (One comment per person per blog please.)
You have until Sunday, April 23rd at 11:59PM Central Time to leave your comments.
Here's the lineup of blogs for this week - make sure you visit and comment on all of them to increase your chances to win!
Hi everyone! I'm up on the StencilGirl blog today with the April edition of Gwen's Gems, which also happens to be a collaborative post with Canvas Corp Brands!
This month I have a tutorial for this art journal spread using lots of awesome Canvas Corp Brands products (like a 7 Gypsies journal and papers, and some amazing Tattered Angels natural aging paints,) and using some of my new Art Deco stencils, of course!
Make sure you head on over to see more photos and the tutorial. Also, there's a GIVEAWAY! Make sure you go to StencilGirl Talk to see the giveaway instructions. You need to leave a comment over on that post (not this one) in order to be entered to win. Enjoy, and good luck!
Hi all! Just popping in to let you know that I'm up today on StencilGirl Talk with the latest installment of Gwen's Gems. This month I went a bit crazy with different texture pastes and stencils to make a mixed media canvas centered around a vintage Afghan Kuchi patch.
There's a tutorial along with lots more photos over on the StencilGirl blog, so make sure to check it out!
Hi all! I'm excited to be joining in with the StencilGirl / Walnut Hollow blog hop today! This was a very fun project for me as it gave me the opportunity to try something entirely new with my stencils. I knew as soon as I saw these decorator plaques from Walnut Hollow that I wanted to make a diptych and do some wood burning with my Versa-Tool.
Here's what I made - a diptych photo frame for me to display in my house - I love it!
I've got a quick tutorial to show you how I made this piece. Ready?
First I started by stenciling each piece with my Decorative Medallion stencil using a light color of brown ink. I knew I was going to trace over this design with my Versa-Tool, so I wanted to make sure that the color I used wouldn't interfere with the beautiful burned wood color that was coming next.
Next step? Get comfy... this part takes a while. I pulled up a chair and turned on the hockey game and patiently traced over the stenciled lines with the detail tip of my tool. I really wanted that dark brown color, and I love the way that it created almost a debossed effect as I worked over the design. You can clearly see the difference in color and texture as each section was burned. Beautiful!
You can also see a circle drawn in the center - I knew that I was going to cover up the middle with a circular element, so why waste time burning sections that would be covered up? This was my line to tell me where I could stop since it would later be hidden.
With the burning done, I didn't want to do any painting, so I coated the plaques with a glaze made from polymer medium, transparent yellow iron oxide fluid acrylic paint, micaceous iron oxide, and gold interference paint. (All from Golden.)
I have several ready-made colored glazes I keep in small bottles, so I used those to add a few touches of color to some areas of the design. (These were cobalt turquoise and pyrrole red, both mixed with polymer medium and nothing else.)
Next I used some metallic waxes around the edges to frame the design and add a bit more depth.
Everything was still feeling very flat and "blah" to me (keeping in mind that more is usually more in my world,) and I glanced over at my palette and just randomly started peeling off sections of dried gold paint and sticking them around the edges of my plaques. It was working for me - it looked a bit like gold leafing, so I kept doing it and then sealed it.
It was still all feeling like it was missing something, so I pulled out some molding paste skins I made several months ago and then didn't use. These were done from the Damask Borders stencil by Michelle Ward. (To make a molding paste skin, you just put molding paste through your stencil onto a non-stick surface like a Teflon of silicon craft mat, then set it aside on a flat surface and let it dry completely. The "skins" will peel off and work great as dimensional embellishments! I stored mine in wax paper until they were ready to be used. As always, make sure to clean your stencil immediately after using any kind of texture paste!)
Here you can see the steps I took to paint them - I wanted them to look kind of like metal, so I used several layers of paint and finished with a bit more wax.
I picked out a few other embellishments to use with my flourishes; some Dresden border trim, and some really cool vintage Turkomen jewelry findings. I adhered everything into place and let it dry.
From here I got out some small hinges and mini screws and turned my plaques into a diptych by connecting them together:
Finally, I took a few family photos and sized them in Photoshop, then printed them and used a large circle punch to shape them. I mounted those on some wood circles (I burned a pattern around the edge of them with my Versa-Tool that looks pretty cool!) I edged the photos with strands of rhinestones and then adhered them in the center.
Done? Of course not! I took some gold and brown beads strung on wire and adhered those around the circles - this helped cover up gaps between the circle and the plaques where there weren't any embellishments.
Okay, last step - for real this time! I took out some Liquid Pearls and added dots along my Dresden to bring the colors out from the center and into other parts of the piece.
Voila! C'est fini!
Just a few close-ups...
I'm thrilled with the results :) I hope you enjoyed today's project! Of course, now is the part that I'm sure everyone is waiting for...
One lucky winner will receive both a $25 Gift Certificate to StencilGirl Products AND a $25 Gift Certificate to Walnut Hollow!
Visit the fabulous designers from both teams and comment for your
chance to win!
The more blogs you comment on, the more chances you have to WIN!
(One comment per blog please.)
You have until Sunday, March 19th at 11:59PM Central Time to leave your comments.
Hi everyone, it's time for Gwen's Gems again over on StencilGirl Talk! This month I'm tackling a new technique that I've wanted to try for a long time... I used ICE Resin to coat stenciled papers (so fun and cool!) and then used those papers to make a handmade art journal with window pages and covers.
Make sure you head over to StencilGirl Talk to see the full post with instructions and more photos of the finished book!
Hi everyone, I'm so excited to be joining in on this week's blog hop with StencilGirl and C&T Publishing (makers of Kraft-Tex!) This week the creative teams are using stencils with Kraft-Tex... I can't tell you how much fun it was to stencil on this incredible product. It's so cool! I could keep talking, but why not just show you?
First off, here's what I made - it's a riff on a traveler's notebook style book cover with two book inserts; I made it with elastics to give me the ability to swap pamphlet books in and out of the inside, only I customized the structure to be more like an actual book.
Here's how it all came together...
I started with the brand new turquoise, pre-washed Kraft-Tex and cut a piece approximately the size of the spine and covers, then used some Archival Ink and my Ornamental Peacock Feathers stencil to put down a pattern on what would become the front cover of my book.
I really wanted to take advantage of the fact that Kraft-Tex is paper, but it has a lot of the qualities of fabric and leather, so I started the process of embroidering my peacock feather designs.
A few tips for sewing on Kraft-Tex:
Honestly, all of that satin stitching probably should NOT have worked... lol, but I love how it came out! Of course, you do NOT have to stitch! You could stencil the design on as a pattern and then use paints, Liquid Pearls, markers, etc... to add in color and details.
When the stitching was done, I wanted to put some structure behind it to make sure that my stitches were secure, so I cut pieces of thin chipboard and adhered them to the back of my cover piece where the front and back covers were going to be.
Next I cut another piece of Chocolate Kraft-Tex the same size as my cover and clipped it to the back to sandwich the chipboard and give me nice inside covers in a contrasting color. (Mine wasn't pre-washed... I cut a chunk off of the roll and threw it in with a load of colors in my washing machine, detergent, fabric softener, and all! It's colorfast, so there was no bleeding. Then I took it out and laid it on the table to air dry.)
I pre-poked holes around the chipboard and back-stitched with gold Sizzle thread from Wonderfil to bring it all together.
You can also see where I added some ribbon... I had the perfect piece of peacock feather patterned ribbon so I tucked the ends between the pieces of Kraft-Tex and sewed it into place as I stitched the border.
After I finished the front cover, I poked the holes for the back and then slipped another piece of chipboard into the spot which would become the spine. I kept stitching until the whole thing was finished.
Next, I punched holes where I wanted to insert my elastics and put in grommets, then added Tim Holtz elastics (2 kinds - one for the inside to hold the book inserts, one with only one end that would wrap around the outside as a closure.)
I went back and stitched a few beads onto my peacock feathers as a finishing touch.
You could leave the inside covers plain, but of course... I stenciled them! I used gold pigment ink through my Decorative 6-Petal Flower Screen stencil and then heat embossed.
With that, the covers were done!
Of course, next I needed to make some booklets that would fit inside. I measured my book - the height shouldn't be much taller than the distance between the holes where your inside elastics go. I kept the width about 1/4" smaller than the width of the cover. I cut and folded some papers - bristol and watercolor paper, and also cut and folded covers from Stone Kraft-Tex and Chocolate Kraft-Tex. Then I used my awl to punch four holes into the creases (you want an even number of holes for this method.)
I used the pamphlet stitch and waxed linen thread to bind the books together. In total, it takes about 10 minutes to make one of these little books... quick and easy! I repeated this process for the second book so I could fill up both of the elastics I'd attached to the spine.
Now for the fun part... embellishing the covers! Starting with the stone book, I once again stenciled with Archival Ink, this time using my Decorative Medallion stencil. Then I used Liquid Pearls / dimensional paints and Stickles and went over the top (this is another way you could do the outside cover if you don't want to sew.)
I added a sari applique in the center (I picked it out first and then matched the colors of the Liquid Pearls and the Stickles,) and a scribbled gold border around the edge.
For the second book, I did something a little different to decorate the cover... I stenciled with Versamark ink, then with the stencil still in place, I went over top of it while it was still wet using bronze PanPastels.
I sealed that layer with a workable fixative, then used the same process to embellish with dimensional paints and Stickles.
I let everything dry... I just love how these turned out!
Slide your new journals into the elastic in the cover and you're ready to go!
I really like the stiffer, more structured covers, but you could totally follow this same process to construct your book and just leave the chipboard out. In that case, though, you'll want to make sure that the height of the books you make to go inside is a little shorter than the distance between the holes in the spine... without the chipboard, it would probably collapse it a bit to add that extra tension.
Voila! A finished reusable notebook cover with your own custom books inside. I'm already using mine as an art journal :)
That's it from me... I hope you enjoyed the project and tutorial! Of course, now it's time for the best part of all...
One lucky winner will receive a $25 Gift Certificate to StencilGirl Products
AND a $25 Gift Certificate for C&T Publishing!!
The more blogs you comment on, the more chances you have to WIN!
(One comment per person per blog please.)
You have until Saturday, February 18th at 11:59PM Central Time to leave your comments.
If you hop over to StencilGirl Talk, you can see more photos of each of the necklaces, as well as a quick little tutorial on how I made them. Enjoy!
Hi everyone, I'm excited to be participating in the blog hop with StencilGirl and PaperArtsy! It was loads of fun to combine stencils together with all the fabulous Fresco Finish acrylic paints, Infusions, and the awesome rubber stamp designs. In fact, it was so much fun that I made two projects!
First, I made what I'm calling a mixed media medallion - I've named this piece "The Lady of the Lake" - I think you might be able to see why!
Here's a little overview of how this came together:
I started with a sheet of vellum finish Bristol paper and put down some color with the Fresco Antarctica paint. Then I stamped the large image from the Lynne Perella Collection 009 stamp set with black Archival Ink (important to have something permanent since I was going to layer on top.) Next I put some molding paste through the Cornish Petals Large stencil by Lizzie Mayne, making sure to put the center of the stencil over the stamped face, and I let it dry.
Once dry, I cut it out and then used Space Cadet, Turquoise, and Lake Wanaka Fresco paints over top. Originally I wanted more of the stamped image to show through, but as I painted it seemed to be telling me to keep edging in a bit more. I'm glad I listened!
I took some Gold Fresco Finish and used my finger to rub it across the raised areas of the design, then mixed Slate with satin glaze and glazed the entire thing, let it dry for a minute or so, then wiped off the excess with a baby wipe. This really helped to highlight the dimension!
Once that was dry, I used gold glitter glue to go over all the gold areas and really bling it up. Here you can see how I considered just stopping here and using this in an art journal:
As much as I loved this, and I did! I wanted to keep pushing with this idea. I mixed up some Aves Apoxy Clay and then sprinkled in some Infusions Dye Stain (A Bit Jaded.) I added just a spritz of water to activate the dye as I kneaded it into the clay so that it would stain it for me. I rolled that out and put a ring of clay around the stamped face, then inserted some clear crystals around the outside edge and embedded lots of brown and gold beads into the surface of the clay.
Once the clay was no longer water soluble, I filled the well in the middle with Diamond Glaze and then sprinkled more Infusions onto the surface. They spread just a bit on contact with the liquid (which I wanted,) and I was careful not to disturb it so that they would just be dots and splashes of color and not completely dye the glaze. I left this until the glaze was totally dry and the clay was cured (overnight.)
Of course, this still wasn't done in my book! I pulled my Gold Fresco Finish paint back out and rubbed it all over the clay and beads. Some of the color still showed through, but it helped to better integrate that area. Next I took out some brass findings and cut them and attached them onto the back of the medallion using E6000 glue.
I wanted a bit of a patina effect on the metal, so I just used my fingers again to rub in a little White Fire Fresco Finish, as well as some Guacamole. I added a strand of rhinestones around the inside of the circle to cover up the seam with the glaze (and add more bling!) and then glued a few jewels into some openings on the metal bits.
Loving this! I felt like it now needed to be mounted on something, so I took out an unfinished wooden plaque type thing I'd gotten at the craft store, sanded the rough parts, then painted it with Gold, Guacamole, and Tinned Peas. I stenciled some flourishes from the 9x12 of my Heraldry StencilClub collection with gold texture paste and then filled them with a glaze mixed with more Gold. I also added some stamping using smaller elements on the Lynne Perella 28 stamp collection and Background Plate 5 with gold and chartreuse ink.
I edged the whole thing with more Space Cadet and Turquoise paints and then coated the entire surface with metallic glaze for a little shimmer. Finally, I added some Dresden trim borders and some skeleton leaves and glued it all together. I'm so happy with how this turned out!
Of course, that wasn't enough. I also really wanted to do something that I could turn into a big statement necklace pendant, so I used similar techniques along with my stamps, paints, and stencils and made an artsy necklace - a conversation piece for sure!
For the pendant, I started with a piece of white cardstock and stamped one of the large images from Lynne Perella Collection 34 with black Archival Ink. Next I took the Marrakech Mix stencil by Michelle Ward and used one of the larger openings to trace around the face - I wanted this to be the part of the stamp that showed in my pendant.
I used colored pencils to color in the area defined by the stencil, then I cut it out, leaving about 1/4" since I knew I wanted to frame the colored image with clay. I also knew that I wanted some "stuff" sticking out of the clay, so I got some headpins and various colorful beads and made some picks to stick in there.
I mixed up more Apoxie clay (I really love that stuff!) and rolled it out to about 1/4" diameter and then wrapped it around the image, pressing it lightly into the cardstock base so that it would stick (I also covered the back of the pendant with a thin layer of clay.) Since I wanted this to be able to be used as a pendant, I put a loop of wire into the top where I could attach a chain. I then stuck my beaded picks into the clay around the bottom, added spike beads in between the picks, and added more beads into the other areas of the clay. I let the clay cure until it was nice and solid before moving on.
Next up, I got out my trusty Gold Fresco Finish paint and painted over the clay and beads as well as the back, then when it was dry I flipped it over and glued on some different gold trims that would show around the edges on the front.
Again, I took some metal findings and added them onto the back with E6000 (to actually wear this as a necklace, you could cut and glue on a piece of felt or add more clay to cover up any rough bits that might bother your skin.)
Finally, I filled in the front with more Diamond Glaze and then edged the inside of the pendant opening with some fine gold trim to help emphasize the original shape. Add a chain, and voila! A fun and artsy statement necklace. (Of course, this could also be used on the cover or a book, on a mixed media piece, in assemblage art... it definitely doesn't have to be worn!)
That's it from me today - I hope you enjoyed my projects and that you're having fun as you go through all of the awesome projects in this week's blog hop. Make sure you comment on each one, because there's a giveaway!
One lucky winner will receive a $75 Gift Certificate to StencilGirl Products
AND a £50 Gift Certificate for PaperArtsy!!
Visit the fabulous designers from both teams and comment for your chance to win!
The more blogs you comment on, the more chances you have to WIN!
(One comment per person per blog please.)
You have until Friday, December 30th at 11:59PM Central Time to leave your comments.
Hi Everyone! It's time for Gwen's Gems again on StencilGirl Talk... this month I'm sharing a tutorial for making some fun stenciled mixed media door signs. My sign is being used to mark the door of my studio! (Well... since I'm lucky enough to have a studio AND a spare room, this marks my sewing / storage room.)
If you want to see more (including that tutorial I mentioned,) head on over to StencilGirl Talk for the full post.
Hi everyone, I'm up on StencilGirl Talk today with my November project for Gwen's Gems! This month I'm making stenciled holiday ornaments.
Make sure to head on over so you can see photos of the individual ornaments, as well as a quick little tutorial on how I made these!
P.S., all of these ornaments are now available for sale! $18 each including shipping within the United States. If you want one, better hurry - they're already selling!
Hi everyone, I'm up on StencilGirl Talk today sharing some mini stenciled junque journals that I made to give out as gifts. Here you can see the books I made:
You can head over to the StencilGirl blog to see more photos of the books as well as a little tutorial on how I made them. Enjoy!
Today is Throwback Thursday over at StencilGirl Talk, and I jumped in this month to make a new art journal spread featuring two awesome oldie but goodie stencils (along with a bunch of others, of course!) I was really itching to use the Face Map Side Version 2 stencil by Pam Carriker, and I couldn't help but think of doing some kind of face to face concept in my art journal. So, I took that as my starting point and went with it! As I went, I added in the Fade Circle stencil by Michelle Ward - it's awesome for adding pattern to the background as well as layering with other patterns. Here's where I ended up:
I really ended up liking this spread, and I had so much fun with the process of putting it together! Here's a little overview for you of the different phases of the project.
I recently had a comment on Facebook referring me to an awesome video by Anne Bagby (Collage, Paper, Patterns, & Glazing) and I took some techniques I learned in that video as a starting point to make some collaged figures with the face stencil; that included making some black and white collage papers using my stencils, Michelle Ward's Fade Circle stencil, and a few hand-carved stamps.
Next, I traced the outline of the head on the gesso'd background - I flipped the stencil for the second one so that they would face each other across the center of the spread.
Following Anne Bagby's lead, I blocked in around the figures with black paint, leaving areas as I went to embellish the figures (no plan for what they would look like, I just went with what I was feeling at the time.)
Next I started tearing up pieces of my collage papers and adhering them in place with matte medium. I tried to do it quickly without thinking too much, but I was still considering where everything would work best - I just didn't spend forever overthinking every choice. Moving quickly and just going with my instincts and impulses led me in a kind of unexpected direction, but I found myself LOVING it very quickly.
The hair on both of them... totally my favorite part. I have no idea where the idea for the spikes came with, but I kind of adore that part of the collage.
I seriously considered just stopping here and calling it done. I loved it. Of course, you could follow along to this point and just leave it black and white. Or do more than one at the same time and go in different directions! (That's what Anne suggested in her video.) Naturally, I kept going - why stop now? The next step was to use the stencil to pencil in where the facial features would go.
I kind of sketched in how I wanted those to go and then layered on top with a permanent pen. From there, I pulled out some paint markers and started adding a few spots of really intense, glossy color.
I pulled out the Fade Circle stencil again and used some bronze paint to add pattern into the background. Normally I don't use the bottle directly through the stencil this way, but this one wasn't very juicy so it worked well (although watch out - you can tear up your applicators stenciling directly through the stencil like this.)
More color... this time using more transparent paints and glazes. I followed this with some straight bronze paint to get a bit more depth.
Some finishing details... lots of dots... done! I love it!
If you're interested, here are all of the stencils I used:
Oldie but Goodie Stencils:
Hi everyone! Welcome to my stop on this week's blog hop with StencilGirl and Impression Obsession! This week members of both creative teams are combining StencilGirl stencils and IO stamps to make fun new projects that we hope you'll love!
For my project, I decided to decorate the cover of a small art journal I made a while ago that I haven't used yet (hopefully this will help change that.)
Here's what I came up with:
This could also work for an art journal page, mixed media canvas or panel... it could translate to a handmade card as well! Here's a little overview of my process as I made my cover, along with links to the products I used.
First, I used gold pigment ink and embossing powder and stenciled with my Decorative Folk Flower Screen stencil until I had covered the whole background. (I inked, applied the powder, and embossed before moving onto the next section. The background was painted back when I made the journal, so it made it easy to get started!)
Next, I took a few stamps and used black ink to add in a little texture. I randomly stamped over the cover without using a mount since I didn't want the entire image to print. I rubbed off over the embossing so that the stamping just showed up on the background (obviously you could do this before stenciling and embossing, but that would just be too easy.) For this step I used images from the Alphabet Scramble and Faded Fragments stamp sets, both by Seth Apter for Impression Obsession.
With the background done, I moved on to the frame that I wanted to make for my focal point image. To do this, I got a good piece of thick paper (I used a scrap of Rieves BFK left over from an art class,) and then I tinted some molding paste with fluid acrylic paints. I put a nice, thick coat of molding paste through my Decorative Medallion Repeating Corner stencil - probably about 2mm thick. I used a heat gun to form enough of a skin that I could move on to the next section without smudging the paste (I made sure to oscillate it a lot so that I wouldn't bubble the wet molding paste.)
Once I had repeated the image four times to complete my medallion, I let it dry long enough to handle and then cut around it and applied some gold spray ink. I used a baby wipe to clean the ink off of the molding paste surface so that it only stained the paper.
I set that aside and worked on the focal point of the cover - I knew that I wanted to build everything around this Peacock stamp from Hannah Davies Designs. (As soon as I saw this stamp, I knew it had to be mine! LOL.) I stamped it in black on heavy copy paper and colored it with Inktense pencils and Staedtler Triplus Fine-liner pens. (Later, I colored the background with a gold acrylic glaze.)
After I colored the image, I used the Simple Geo Squares stencil by Kae Pea to frame the image and determine what was going to be shown through the frame I was making with my molding paste medallion. I traced the line around the peacock, then as you can see below, I used it again to trace on the back of my medallion to know where my opening was going to be.
I cut out my opening and then glued the image to the back of the frame.
I went ahead and glued the frame onto the journal cover, then used some Aves Apoxie - Fixit Sculpt, and put a clay border around the opening to frame it. I embedded some metal findings and rhinestones, then I used an another image from Seth's Faded Fragments stamp set to add some texture. I spritzed the stamp with a mold release spray and then pressed it into the soft clay. The mold release made it so that it didn't stick to the clay or ruin the stamp, and I got some really fabulous texture!
When the clay was cured, I painted the clay with black gesso and then added some Art Stones around the edge for texture.
In between clay drying and paint curing, I also made a little label to be a title for the front of the book. I stamped a ticket image from the Balzer Designs Tickets stamp set, then used another image from Seth Apter's Alphabet Scramble set with gray ink to add some pattern to the background. Once that was done, I took the "Saturday" stamp from the Balzer Designs Days of the Week set and used a black brush marker to just ink one letter at a time so I could spell "ART" on my ticket / title card. On the back of the stamp I placed my finger over top of the letter so that I would know where the letter was when I went to stamp it - it worked great!
I finished up by adding a few layers of paint on top of my clay frame, then I glued my title tag onto the cover.
I also decided I wanted a little more stamping on the background, so I used the numbers stamp from the Balzer Designs Tickets stamp set and put the lightest wash of white paint inside the image. I really love how it turned out.
I really hope you enjoyed my project today... make sure you visit all of the blogs on this week's hop and leave comments so that you can be eligible for an awesome...
Hi all, just dropping in to let you know that I have a new project and tutorial over on StencilGirl Talk - this month's installment of Gwen's Gems features a stenciled mixed media collage on a cradled panel. I'm sharing a tutorial to go with it, as well as the story of how my original vision was pretty much obliterated as I worked, and how I worked intuitively to just keep on going and see where it ended up.
Final verdict? I like it! I should let go of control a little more often :)
Make sure you stop by StencilGirl Talk to see more photos along with the tutorial.
Hi all, just popping in to let you know that I have a project and tutorial up on StencilGirl Talk today. This is one of my favorite projects in a while - I used a stencil as a pattern for a beaded mosaic!
Head on over for more photos along with a tutorial for both the beaded hamsa and the background.
Hi all, welcome to Throwback Thursday at StencilGirl! Every month we're pulling out some of the awesome StencilGirl Stencils that have been around for a while that you may not have seen yet and playing with them. This month I chose to work with the Hats stencil by Orly Avineri. This is a really cool stencil, with lots of great texture elements that are perfect for all kinds of projects! This month I've started working on some ATCs for a group I trade with, and our theme is Halloween. It couldn't be any more perfect!
Here are the ATCs I made with this stencil:
I used a different image from the stencil on each of them which was great because I got a lot of variety in my cards with just one stencil design!
Here's a very quick overview of how they all came together. First, I cut patterned paper to size (2.5"x3.5") and then I used a gold pigment ink pad and a blending tool and inked through the stencil onto the background. I heat embossed the pigment ink with a different embossing powder on each one of them to get a variety of looks:
I kind of love them just like that, don't you think? Of course, I like to pile on the layers, so my next step was to go through the collage sheets that came in the kit for this month's swap and pull out some images that I wanted to use on each card. I cut those out and paired them up with the stenciled image.
From here I did a lot of fussing and embellishing. I added color, swapped out a few of the backgrounds, and put on lots of trims and embellishments, also from the kit.
Even with all the layers the stenciled designs are still really prominent, but you can't tell exactly what the original image looked like. I love how you can take the designs and really make them yours this way - by using part of the design on the card and / or covering part of it up with my layers. It really customizes it, don't you think?
Finally, one of the requirements for this month's swap was to use a quote from one of a list of books we could use that matched our theme. We each got a used paperback from this list in our kits , and I happened to get The Fall of the House of Usher and Other Tales by Edgar Allen Poe, which was totally perfect. It might be surprising to hear that I love Poe - I studied his work a lot back in high school and still find his writing and poetry so descriptive and evocative. I went through and found a few ominous sounding lines from the book and added them to my cards. Voila! Six ATCs in just a few hours! (That may sound like a lot to some of you, but it was fast for me... lol.)
Here are some close-ups of the cards:
That's it from me today, I hope you enjoyed these examples of some of the versatility you can get from Orly's fabulous Hats stencil! Make sure you check out the main post on StencilGirl talk to see more Throwback Thursday projects from the team!
Hi everyone, just letting you know that I have a post up on StencilGirl Talk today with a new art journal spread and a tutorial for making the stenciled background I used.
Make sure you head over to see more photos and the tutorial.
Hi everyone, welcome to my stop on our awesome Christmas in July blog hop with StencilGirl and Imagine Crafts! I love Christmas, so it was really fun to get into the holiday state of mind in the midst of our 100+ degree weather here in Utah.
If you've ever been to my house or seen pictures I've posted of my Christmas decorations, then you know that my holiday decor is a mix of classic, bohemian, and just plain eclectic. I'm pretty picky about what I'll put out in my house, so it was a fun challenge for me to make something that I would actually use!
I was chatting about this project with my mom (who has very similar taste in decor - I wonder where I get it from... lol) and she reminded me of this cool ceramic planter that a friend of hers had made for her that she uses for poinsettias - I've always loved it because you can take off those foil wrappers that they come in at the store. I thought it would be fun to try and make something similar for my own house; I had a feeling that the Imagine Crafts irRESISTible sprays and Pico Embellishers would work great for giving me a glassy, ceramic-esque finish. I was right!
Here's what I came up with - a planter, and while I was at it I also made a matching ornament to hang on my tree.
I was pretty skeptical at first about whether this would work, but I have to say... I really love how these turned out! Here's a little overview of how I made both of these pieces.
The first thing I did was to create some molds and do some casting with clay in order to make my cherubs. I had a nice sized vintage Frozen Charlotte head, so I made a mold of that and then just used the front half along with epoxy clay to make "cherub" faces. I also had a set of vintage metal wings that I made a mold of and then made sets of clay wings from that.
While those pieces were curing, I worked on getting my pot ready to go. I got an inexpensive 6" plastic pot at the store and took some lightweight epoxy clay and covered the entire thing with a thin layer of clay. Depending on what you want to do, you could skip this step - I wanted to even out the ridges on the outside of the pot and also create a surface that would take paints and glazes and help give me the faux ceramic finish I was looking for.
When the clay was completely cured (I let it go overnight,) I took my Decorative Medallion Stencil and spread texture paste through the opening. I let it set and then moved the stencil and did it again until I had 3 medallions, roughly equally spaced around the pot. I originally planned to make an all white pot like my mom's, but decided that I actually wanted to bring in some color so I took the Imagine Crafts Creative Medium in gold and added another layer on top of the white texture paste.
Once all of the texture pastes were dry, I used more epoxy clay to put the cherub heads and wings on the pot. I positioned them and then let them cure for a few hours so that they wouldn't move for the next step. For that, I used my irRESISTible Pico Embellishers in Pear Tart and Lilac Posies to add some color into some of the stencil openings (I like to design my stencils so that you can color in the spaces, which you can do with lots of different mediums!)
Below, you can see where I took gold paint pens and added borders on the top and bottom of the pot, as well as around the wings of each cherub.
I also took some of the new StazOn Studio Glaze in gold and put that all over the cherub and the textured stenciled area. I let it dry for a minute and then used a baby wipe to wipe some of it off - it leaves hints of gold in the nooks and crannies. (This was the point where I decided to add the purple glaze into the stenciled area - you can see that in the 3rd photo above.) After that, I took my irRESISTible Texture Spray in Wedding Dress and took off the sprayer and used it with a brush to put a heavy glaze of transparent white all over the whole piece. This is the step that really helps everything to look more like ceramic. I left that to dry, then added some jewels around each medallion.
Here you can see a few more views of how the planter turned out after everything was dried:
Obviously, you don't have to use all the clay if you want to do something similar - you can take a plain pot (terracotta would work great) and just paint it white, then stencil on top of it and add the glazes. You could use ready made cherub tree ornaments, or find something else entirely!
Next up, the tree ornament. This ended up being my favorite of the two pieces :)
To start, I stenciled my Decorative Curvy Ornament stencil onto a sheet of thin chipboard, then cut around the design. Next, I took some epoxy clay and covered the whole piece of chipboard in clay, carefully working around the details and making sure the clay covered the sides of the chipboard.
Before the clay was cured, I lined my stencil back up with the shape and used a rubber color shaper tool to trace the design into the clay. After that was done, I mixed up some more clay and rolled it out into long, thin ropes and used it to outline the traced areas so that the details would be raised up from the base. (Yes... in case you're wondering, this clay stuff was tedious! But so worth it in the end.)
Note that I put the hole through what was going to be the top of the ornament while the clay was still soft. I also turned it so that it looked more like a 4-point star.
I let this cure overnight and then when it was hard, I used the StazOn Studio Glaze in gold and then again in purple to glaze the ornament.
For the first layer of each color, I mixed the glaze with water and applied it all over with a brush, waited, and then wiped some back. Then I went in with the undiluted glaze and added some more directly into the nooks and crannies. When the gold was dry, I repeated that process with the purple. When both of those were dry, I used the irRESISTible Texture Spray in Wedding Dress for another thick coat of transparent white glaze. This with the colored glazes below it really transformed the look of the piece.
Next, I used more clay to put the face and wings onto the ornament and let that cure for a while so I wouldn't disturb it when I went back to work some more.
When that was ready, I used irRESISTible Pico Embellishers in gold and Lilac Posies to flood the insides of some of the raised detail areas. I've always thought that the irRESISTible products looked a lot like stained glass when they dried because they're fairly translucent and shiny when dry - I think the look you get from them here is so cool!
With that, it was just finishing touches. I outlined everything with a gold paint pen, added some gold stripes to some of the clay lines in the design, and added a few jewels. You can't see it here, but I also gesso'd the flat back side of the ornament and then painted it gold.
This one will definitely make it onto my Christmas tree this year!
So that's it for the projects... now for the part I'm sure you've been waiting for. The giveaway!
Take your time and visit each blog showcased July 9, 16, & 23 and leave your comments.
The more blogs you comment on, the more chances you have to WIN!
One comment per person per blog please.
You will have until Saturday, July 30th at 11:59PM Central Time to leave your comments.
The winner will be notified by email and announced on StencilGirl's Facebook page on Sunday, July 31st.
Here are all the blogs from all three days of our hop... make sure you stop at each one and leave comments to be eligible for this awesome and very generous prize!
Mary C. Nasser
Martha Lucia Gomez
Gwen Lafleur <-- you are here!
Hi everyone, just popping in to let you know that the June installment of Gwen's Gems is up on the StencilGirl blog! This month I have an 11"x14" mixed media piece (on a 3/4" cradled birch panel) made with lots and lots of layers of stencils and paint.
So what are you waiting for? Head on over for more photos, step-by-step tutorial, and links to all the stencils I used for this one.
Hi all, welcome to Throwback Thursday with StencilGirl! We're pulling out some of our older stencils - if you've already seen or bought them, hopefully this will give you new ideas for using them! Some of these stencils will also be new to many of you - since we release every month, it's easy for some of our oldies but goodies to be missed!
This month I'm showcasing the Dia de los Muertes stencil by Andrea Matus deMeng. This was a stencil that I passed on at first, but once I realized all of the different ways I could use it, I couldn't get my hands on this one fast enough!
For this project, I had an idea to try something fun and different in my art journal. Here's a view of my finished project.
But wait! There's more! This isn't just a single art journal page, and I don't know if I'd call it a page either! Ha! Do you remember those fun flip books that you got as a kid where you could flip a section of the page to combine the images on each page into something new? I thought it would be really fun to do that for this project. Here's a peek of what I'm talking about...
Last month I was traveling and I had some time to kill in the Denver airport. I stopped into this really cool gift shop and as I wandered, I noticed a fun book tucked away on a clearance shelf in the back (it had some damage to the covers;) it's called The Big Book of Art.
Combine the killer discount with all of these split pages on the inside, and I couldn't pass it up! Some pages have holes in them, etc... so that multiple pages came together to create something new and tell a story. (Of course, you don't need this book or one like it - you can always just cut the pages in your art journal and make your own flip pages. Three sections would be even more fun!)
So I bought it knowing that I wanted to use the book as an art journal and it became my starting point for this idea. To start, I took it out along with the Dia de los Muertes stencil and the Abigail, A Timeless Woman stencil - also by Andrea Matus deMeng. I had a chance to take classes with Andrea last October, and I learned a little known fact - did you know, many of Andrea's stencils are designed to work together? Her original 9x12 face stencils (Eve, Abigail, and I believe Doris as well,) will all work with the mask stencil (and many others!)
I started by using painter's tape on the back of the page to keep the two halves in place while I was working. Then I sanded the pages of the book - they're a bit glossy which can make them hard to paint. Next I gesso'd, put down lots of collage papers, and added a layer of paint. After that, I stenciled with Abigail first in a dark brown.
Once that was done, I pulled out more of my paints and turned the stenciling into a portrait. Finally, I used the Dia de los Muertes stencil and lined it up with the painting below before stenciling in black (you can see above how easy it is to see the image on the page through the mylar stencil.)
Once I had the outline of the mask in place, I looked up images of sugar skulls online and went through and added color and detail inside the stenciled areas.
Of course, what good is a flip book with only one page? I repeated a similar process on the following pages, I just varied the colors and the way that I combined the stencils. As I finished each page, I took the tape off the back. For the first page where I'd collaged over it, I went back through with a ruler and an x-acto knife and re-cut the pages. On the second one, I also used Andrea's A Rose by Any Other Name stencil to do some Gelli printing with a mini square Gelli Plate. I decided to go a bit on the funky side and make her yellow. In order to try and get the faces to line up (it didn't always turn out perfect, but it was usually pretty close!) I put half of the previous page over the new one and then use painter's tape to hold my stencil in place after I'd positioned it so that it would match.
The third page was almost entirely paint - I wanted lots of brightness, contrast, and a bit more of a pop art look.
The back page isn't split - it's the base for the whole section. For this part, I wanted to use just the mask stencil and go a little bit on the creepy side.
Once all of the pages are done, it's time to play! Here you can see all the different combinations of looks you can get... all from two stencils!
Finally, what would a blog hop be without a GIVEAWAY??!!!
Hi everyone, just popping in to let you know that my monthly installment of "Gwen's Gems" is up on the StencilGirl blog. This month I did quite a bit of playing and ended up with a kind of hand sculpture made from a stencil base that lives in its own little box - I'm calling it a shrine for a lack of a better term (and I guess it sort of is one!)
If you're interested, you can head on over to view the full post where there are more photos (with close-ups, naturally!) as well as a tutorial / overview of my process for making this piece. Enjoy!
It's StencilClub inspiration day over on the StencilGirl blog! This month's exclusive club stencils were designed by Terri Stegmiller and are perfect for Spring! Of course, my project ended up going in the opposite direction, but I still absolutely love it.
This month I made myself a new art journal - it's a 6"x8" codex-bound book and I used the stencils to make the covers and binding.
Head on over to see the full post with more photos of my project as well as more fabulous inspiration from the team!
Hi everyone, welcome to my stop on today's blog hop with StencilGirl and Earth Safe Finishes! This year, to celebrate Earth Day, we have a fabulous bunch of posts bursting with upcycled projects. What better products to use for this than stencils and Earth Safe Finishes? These are "green" paints and mediums that I enjoyed using without worrying about whether or not I could pour my paint water down the drain.
For my project, I decided to do something new - a window! I had a lot of fun with this one... the only downside is that glass is super hard to photograph, so hopefully these pictures will be good enough to get the point across :)
Here's my finished window with a big sheet of mat board behind it so you aren't looking at all the junk on my desk :)
For those who are interested, I also put together a little tutorial so you can see how this all came together.
First, I started with a window that I picked up at a local salvage yard. Aside from being dirty, it was in really good shape and didn't have a lot of paint layers, so I didn't strip it (hopefully that doesn't come back to haunt me later!) I cleared a space to set it on my desk (where it barely fits!) and taped off all the windows with painter's tape. Since it already had such a nice color on the base, I went straight to a layer of Earth Safe Finishes crackle medium and then let it dry.
Since I was pretty much flying by the seat of my pants on this project, I decided that I needed a layer of gesso on top of the crackle medium, so I added that.
Next, I received a little jar of Earth Safe Finishes black chalk paint and it just seemed like a good idea to use that next so I put down a nice, solid coat of that and let it dry.
Turns out that was actually a really good decision because when I put the Ann Butler Designs bronze iridescent paint on top of it, it was like magic. I just rubbed it on top with my finger, not completely covering the black but blending it out. It's hard to see in the picture how cool it actually looks.
Next up, I took some of their liquid pigment additives and mixed a few drops into the Earth Safe Finishes gel medium to make up a nice dark turquoise. I painted that on the inside edges of the window panes (you can see this below) and then I coated it with a layer of Ann Butler Designs Iridescent paint in Lagoon which was about the same color only with that beautiful shimmer (which you can sort of see above.)
Finally, I used my gold Sakura Pen-Touch pen to go around the bevels on each of the window frames (above.) I did a little paint touch up, then it was ready for stenciling.
There are a few different ways that you can stencil glass. Since I didn't have the supplies for etching I didn't go that route, although that would look amazing! I didn't want to paint directly on the glass because I knew it would just peel off. Instead, I found a picture on Pinterest where someone had cut shapes out of contact paper and applied them to the window as a kind of privacy screen. I thought that could be translated here, only I used deli paper instead and stenciled on top with Onyx Ann Butler Designs Iridescent Paint. I used my Decorative Curvy Ornament Repeating Corner stencil to stencil the ornament in halves as shown below.
I did this six times - two halves for each set of window panes. Then I cut them out and used spray adhesive to apply (matte medium makes it harder to see the design in this case, and it seemed like the spray adhesive stuck pretty well.) I used a credit card to try and get out bubbles. You could also stencil on contact paper and apply that, I just didn't have any handy. I went back through with my gold pen and did a little coloring, and I also added some dots outlining each ornament with a fine yellow Sharpie paint pen.
The very last step... time to embellish. I wanted this to be simple, but to have a pop of color that would really stand out from the darker colors and I wanted something that would pull the whole thing together. It's April and it's Earth Day, so I dug into my gigantic stash of Prima flowers and pulled out a bunch that I thought would work (because "the Earth laughs in flowers," right?) I cut a long strip of cardboard and painted it both sides with black gesso. When it was dry, I added a strip of a red-violet vintage beaded trim, then adhered the flowers on top in a row.
Because the wood between the windows is fairly thin and beveled, this worked well to give me a flat surface to adhere the flowers. Then I just adhered the whole strip to the window frame right in the middle.
I'm pretty pleased with how this turned out... now I just need to find the perfect place to put it!
That's it for me, I hope you enjoyed my project!
Of course, that's not all for this post... we simply can't resist giving something away!
Please take your time and visit each blog showcased today through Wednesday and leave a comment. The more blogs you comment on, the more chances you have to WIN this one of a kind, 9x9 inch Cold Wax painting on Arches Oil Paper by Mary Beth Shaw!
One comment per person per blog please. You will have until Monday, April 25th at 11:59 pm Central Time to leave your comments.
The winner of the give-away will be announced on StencilGirl's Facebook page on Wednesday, April 27th.
Here's the list... make sure you click through to see all of the other upcycled projects in today's special Earth Day blog hop to be inspired, and comment for your chance to win!
This month I went back to a more classic mixed media project with a 24"x24" canvas using a whole bunch of my stencils from StencilGirl:
Head on over to see close-ups, as well as the tutorial on how I made this piece.
Hi everyone, it's StencilClub Inspiration day again! The whole team at StencilGirl is sharing some fun new project ideas using this month's awesome StencilClub designs from Mary Beth Shaw. Here's what I made this month - I refinished a decorative box that I picked up for half price at the craft store.
Make sure to pop over and check it out for more photos and a bit of explanation of how I made my cool little box. You'll also want to be sure and check out the fun projects from the rest of the team to get you inspired to start creating :D
Hi Everyone! So excited today to be part of the blog hop for a brand new StencilGirl product launch... StencilGuts! Yup... now you'll not only know what happens to pieces that get cut from stencils, but you can get your hands on them to use in your projects. They're super versatile and fun to use as well. For my project with them, I decided to put together a new handmade art journal that features the StencilGuts in lots of different ways.
Without further ado, here's the cover of my journal:
On the cover, I coated the entire background with gel medium, one section at a time, then just grabbed pieces from the Random DirtyGuts and pressed them into the gel. I kept adding pieces until it was pretty full, then let it dry. At that point, I brushed on some green paint and some brown ink, then I covered the entire thing with a brown glaze, waited a minute, and wiped it back so that the only part left was in the holes between the StencilGuts. I love how it turned out - it really highlighted the edges and made a cool pattern!
I also used two different sizes of the same shape from the Geometric StencilGuts Shapes as the basis for a clay medallion to put as the focal point. I just took some air-dry clay and smoothed it out over the shape, then pressed some marks into it and added little details. I did the same with the smaller shape and then put it in the middle to make it two-tiered, then stuck a jewel in the middle while the clay was wet. After it dried, I just applied a few layers of paint to make it look kind of like antiqued metal. In the background, I actually took a strip of mylar that came with my Random DirtyGuts and diecut it with a Spellbinders die. Yes, you can diecut them! Of course, if you use a detailed die, not all of the pieces will come out and you'll need to run it through a few times. But it cuts and embosses beautifully!
First page of the book and the inside front cover:
On the left, I used some underpaper that I really liked to put over the inside of the cover. On the left, I traced another of the Geometric StencilGuts Shapes and then cut it out slightly smaller to make a window. I used alcohol inks on the shape itself and then glued it onto the backside of the page to make the window. I used my Ornamental Compass Screen stencil around it to add some pattern to the page.
Check out how cool it looks when you put the light behind it - it's like a stained glass window!
The back side of the first page with some embellishment and it's hard to see, but I used my Ornamental Floral Screen stencil in the background with gold ink for a subtle touch. That stencil has really become one of my favorites! On the right side, I created a pocket and covered it with patterned paper, then inside are different leaf shaped StencilGuts. As of right now I don't think there are any of these available, but what's in stock will change depending on what stencils are being cut, so check back! Anyway, I used more alcohol inks on these and then added some word stickers and tucked them into the pocket (the top one is glued in place, though.)
For these pages I used Dylusions paints, stenciled on top with my Ornamental Petals Screen stencil and gold ink, then edged the pages with more ink. On the right corner, I got two of the same shape from the Flourishes StencilGuts Shapes pack and I knew I wanted to use them back to back on the corner of a page like this. I used gold crackle paste to do the front of one and the back of another and let them dry. Then I glued one in place on this side and cut off the cardstock around it on the corner.
Then I added the matching reverse shape on the back and decorated that page.
For this one I used more Dylusions paints and gold ink, this time with my Ornamental Circle Cluster Screen stencil. On the right side, I used the same technique as on the first page with two smaller shapes from the Geometric StencilGuts Shapes pack.
I used my Ornamental Compass Screen stencil again, and added a little flap on the right side with another shape from the Flourishes StencilGuts Shapes pack along the edge - I colored this one with a gold paint pen.
There's a fun little space tucked away in there just waiting for some journaling, collage, or whatever I want to add!
Second to last spread:
This spread uses my the Birds StencilGuts Shapes along with my Ornamental Embroidery stencil on top of more Dylusions paints and some collage. I coated the birds using a white, oil-based paint marker and let them dry, then glued them in and added some shading with a Stabilo All pencil. I love the bird shapes pack - there are a lot of different StencilGirl stencils that use birds, and you get a great mix of them in here!
Last page in the book...
I used a larger piece from the Geometric Shapes StencilGuts pack and diecut and embossed it with another Spellbinders die. I just left this one plain since I liked how it looked. (Again, to get some of the details I had to run this through the diecut machine several times, then use my scissors to help some of the pieces come out.) I used my Ornamental Petals Screen stencil one last time along with a bit of collage. More painted underpaper on the inside of the back cover (you can see some hints from the March StencilClub 9x12 stencil on there too!)
So that's it! The entire book, all done and ready for some journaling (or not!) I hope you enjoyed it and are feeling inspired to use StencilGuts in your projects!
Now for the part you've all been waiting for!
It's that time again... today my March Gwen's Gems post is up on StencilGirl Talk! This month I was inspired to try using my stencils and a hot knife to make a clock out of an old vinyl record.
It's StencilClub Inspiration Day over on StencilGirl Talk... the new March 2016 StencilClub kit features some fun and versatile designs from Suzi Dennis. They were so much fun to work with! When I looked at these stencils, I saw water and sea plants (because my brain is a bit weird like that... LOL.) I decided to use the stencils to help create an underwater scene in an assemblage piece. The whole thing is based on a cigar box.
This piece took several days to complete and I didn't do a tutorial, but I did take a few photos along the way so you can get a sense of how it progressed.
As I mentioned above, I knew it was going to be an underwater scene, so I started with the fish. He's made from Aves Apoxie Clay over a small hand-cut cardboard armature with watch parts, beads, and a little vintage art deco finding in his tail.
Next, I put the base coat of paint on the fish and constructed the porthole that he would be swimming in inside of the larger piece. The porthole is also made out of Apoxie Clay, and the "glass" is a sheet of mica - I sized this part so that it would fit perfectly over the 6x6 stencil, which I used with some turquoise crackle paste to begin making the background for the porthole.
Next it was time to start on the cigar box. Rather than invite a giant mess by attempting to stencil inside of the cigar box, I measured and cut a sheet of bristol paper that would fit perfectly inside and created the background on that. Crackle in the background, then I stenciled over top with copper crackle paste. Do you see sea plants coming up from the ocean floor? Maybe that's just me...
At this point, I got fully immersed in the project and taking pictures didn't even cross my mind. Everything started falling into place for the cover (inside and out,) and I discovered that I really like making clay tentacles. Never thought those words would ever come out of my mouth...
I used the 9x12 stencil as the background directly on the lid of the box, the 4x4 stencil used as part of the foundation of my cycloptic tentacled monster medallion box embellishment. (Say that 5 times fast! LOL.) If you look closely, you can see it in copper behind a few layers of metal. The whole thing is set on a Spellbinders circle diecut that I aged with paint to look like rusty metal.
On the inside of the lid, an image of what I was going to do just popped into my mind, so I quickly sketched it out and got to work. I decided to use beads to suggest the bodies of my tentacled sea monsters, and I really like the effect! The beads were all set in Diamond Glaze.
You can see where I used the 4x4 and 6x6 stencils in the background to frame each sea monster and show through behind the beads. The stenciling also helps to ground each little sea monster hole within the composition by connecting them to the edges of the lid.
This project was so much fun to make, and I LOVE how it turned out! I think it's also pretty cool that the stencils provided the inspiration, the framework, and necessary detail to make the whole thing happen... bonus! They're super versatile and I'm sure I'll be using these a lot.
Make sure you stop by StencilGirl Talk to see more projects from the team using this month's fabulous StencilClub collection!
Just stopping in to let everyone know that I have a new project up for my Gwen's Gems monthly post on StencilGirl Talk. This month I was inspired by an antique Roman reliquary and I made my own version using stencils, paints, collage, mica powders, and Aves Apoxy Clay.
Make sure you head over to StencilGirl Talk to see more photos of the project as well as a step-by-step tutorial!
Here's my project for this month... one of my all-time favorites. I actually ordered a frame for her - I love her so much she has to go up on the wall to be admired all the time! I was very inspired by the work of Andrea Matus deMeng for this project - I picked up some great tips while taking classes with her in Stamford back in October.
Check out the post on StencilGirl Talk to see all of the inspiration from the team for this month! Also if you're interested, below are a few step-out photos from while I was making her, as well as a few more close-ups.
First, I painted the face using a reference from a magazine. I haven't done much with painted portraits, so I was very pleased with the results! Here it is in progress:
I cut the finished face out (it was on mixed media paper) and then I did a little stenciling on top:
Next I started working on the background. This was an 11x14" sheet of heavy-weight vellum finish Mixed Media paper (Strathmore) and it was painted with Carbon Black. I used a protractor and ruler to do the "rays" around the stenciled area I put down from the 9x12. You can see below how I used painter's tape to mask off each section as I went - there's a different pattern in each area and I didn't want them to bleed into each other.
From this point I did a lot of stenciling and collaging, but I didn't take any pictures. Some of it was stuff I leaned in Andrea's class (hence the lack of tutorial,) and some of it was just getting so caught up in the process that I didn't think to take any pictures! As I got toward the end, I needed a background for the torso of the figure, so I pulled out some plain tissue paper and stenciled on it.
I used Archival Ink for that, and then used some permanent spray inks over the top (turquoise and gold) and crumpled it all up before distressing with black ink and then cutting and gluing it onto the background. You can't really see it unless you're looking for it, but the pattern has a nice, subtle impact.
Here are a few more close-ups of my finished piece:
So that's it! I hope you like it :) Don't forget to head over to see the post on StencilGirl Talk and check out the rest of this month's inspiration! Lots of ideas and a great variety of projects being shared, as always!