Hi everyone, just letting you know that I have a post up on StencilGirl Talk today with a new art journal spread and a tutorial for making the stenciled background I used.
Make sure you head over to see more photos and the tutorial.
Hi everyone, just letting you know that I have a post up on StencilGirl Talk today with a new art journal spread and a tutorial for making the stenciled background I used.
Make sure you head over to see more photos and the tutorial.
Hi everyone, welcome to my stop on our awesome Christmas in July blog hop with StencilGirl and Imagine Crafts! I love Christmas, so it was really fun to get into the holiday state of mind in the midst of our 100+ degree weather here in Utah.
If you've ever been to my house or seen pictures I've posted of my Christmas decorations, then you know that my holiday decor is a mix of classic, bohemian, and just plain eclectic. I'm pretty picky about what I'll put out in my house, so it was a fun challenge for me to make something that I would actually use!
I was chatting about this project with my mom (who has very similar taste in decor - I wonder where I get it from... lol) and she reminded me of this cool ceramic planter that a friend of hers had made for her that she uses for poinsettias - I've always loved it because you can take off those foil wrappers that they come in at the store. I thought it would be fun to try and make something similar for my own house; I had a feeling that the Imagine Crafts irRESISTible sprays and Pico Embellishers would work great for giving me a glassy, ceramic-esque finish. I was right!
Here's what I came up with - a planter, and while I was at it I also made a matching ornament to hang on my tree.
I was pretty skeptical at first about whether this would work, but I have to say... I really love how these turned out! Here's a little overview of how I made both of these pieces.
The first thing I did was to create some molds and do some casting with clay in order to make my cherubs. I had a nice sized vintage Frozen Charlotte head, so I made a mold of that and then just used the front half along with epoxy clay to make "cherub" faces. I also had a set of vintage metal wings that I made a mold of and then made sets of clay wings from that.
While those pieces were curing, I worked on getting my pot ready to go. I got an inexpensive 6" plastic pot at the store and took some lightweight epoxy clay and covered the entire thing with a thin layer of clay. Depending on what you want to do, you could skip this step - I wanted to even out the ridges on the outside of the pot and also create a surface that would take paints and glazes and help give me the faux ceramic finish I was looking for.
When the clay was completely cured (I let it go overnight,) I took my Decorative Medallion Stencil and spread texture paste through the opening. I let it set and then moved the stencil and did it again until I had 3 medallions, roughly equally spaced around the pot. I originally planned to make an all white pot like my mom's, but decided that I actually wanted to bring in some color so I took the Imagine Crafts Creative Medium in gold and added another layer on top of the white texture paste.
Once all of the texture pastes were dry, I used more epoxy clay to put the cherub heads and wings on the pot. I positioned them and then let them cure for a few hours so that they wouldn't move for the next step. For that, I used my irRESISTible Pico Embellishers in Pear Tart and Lilac Posies to add some color into some of the stencil openings (I like to design my stencils so that you can color in the spaces, which you can do with lots of different mediums!)
Below, you can see where I took gold paint pens and added borders on the top and bottom of the pot, as well as around the wings of each cherub.
I also took some of the new StazOn Studio Glaze in gold and put that all over the cherub and the textured stenciled area. I let it dry for a minute and then used a baby wipe to wipe some of it off - it leaves hints of gold in the nooks and crannies. (This was the point where I decided to add the purple glaze into the stenciled area - you can see that in the 3rd photo above.) After that, I took my irRESISTible Texture Spray in Wedding Dress and took off the sprayer and used it with a brush to put a heavy glaze of transparent white all over the whole piece. This is the step that really helps everything to look more like ceramic. I left that to dry, then added some jewels around each medallion.
Here you can see a few more views of how the planter turned out after everything was dried:
Obviously, you don't have to use all the clay if you want to do something similar - you can take a plain pot (terracotta would work great) and just paint it white, then stencil on top of it and add the glazes. You could use ready made cherub tree ornaments, or find something else entirely!
Next up, the tree ornament. This ended up being my favorite of the two pieces :)
To start, I stenciled my Decorative Curvy Ornament stencil onto a sheet of thin chipboard, then cut around the design. Next, I took some epoxy clay and covered the whole piece of chipboard in clay, carefully working around the details and making sure the clay covered the sides of the chipboard.
Before the clay was cured, I lined my stencil back up with the shape and used a rubber color shaper tool to trace the design into the clay. After that was done, I mixed up some more clay and rolled it out into long, thin ropes and used it to outline the traced areas so that the details would be raised up from the base. (Yes... in case you're wondering, this clay stuff was tedious! But so worth it in the end.)
Note that I put the hole through what was going to be the top of the ornament while the clay was still soft. I also turned it so that it looked more like a 4-point star.
I let this cure overnight and then when it was hard, I used the StazOn Studio Glaze in gold and then again in purple to glaze the ornament.
For the first layer of each color, I mixed the glaze with water and applied it all over with a brush, waited, and then wiped some back. Then I went in with the undiluted glaze and added some more directly into the nooks and crannies. When the gold was dry, I repeated that process with the purple. When both of those were dry, I used the irRESISTible Texture Spray in Wedding Dress for another thick coat of transparent white glaze. This with the colored glazes below it really transformed the look of the piece.
Next, I used more clay to put the face and wings onto the ornament and let that cure for a while so I wouldn't disturb it when I went back to work some more.
When that was ready, I used irRESISTible Pico Embellishers in gold and Lilac Posies to flood the insides of some of the raised detail areas. I've always thought that the irRESISTible products looked a lot like stained glass when they dried because they're fairly translucent and shiny when dry - I think the look you get from them here is so cool!
With that, it was just finishing touches. I outlined everything with a gold paint pen, added some gold stripes to some of the clay lines in the design, and added a few jewels. You can't see it here, but I also gesso'd the flat back side of the ornament and then painted it gold.
This one will definitely make it onto my Christmas tree this year!
So that's it for the projects... now for the part I'm sure you've been waiting for. The giveaway!
Take your time and visit each blog showcased July 9, 16, & 23 and leave your comments.
The more blogs you comment on, the more chances you have to WIN!
One comment per person per blog please.
You will have until Saturday, July 30th at 11:59PM Central Time to leave your comments.
The winner will be notified by email and announced on StencilGirl's Facebook page on Sunday, July 31st.
Here are all the blogs from all three days of our hop... make sure you stop at each one and leave comments to be eligible for this awesome and very generous prize!
Mary C. Nasser
Martha Lucia Gomez
Gwen Lafleur <-- you are here!
Hi everyone, just popping in to let you know that the June installment of Gwen's Gems is up on the StencilGirl blog! This month I have an 11"x14" mixed media piece (on a 3/4" cradled birch panel) made with lots and lots of layers of stencils and paint.
So what are you waiting for? Head on over for more photos, step-by-step tutorial, and links to all the stencils I used for this one.
Hi all, welcome to Throwback Thursday with StencilGirl! We're pulling out some of our older stencils - if you've already seen or bought them, hopefully this will give you new ideas for using them! Some of these stencils will also be new to many of you - since we release every month, it's easy for some of our oldies but goodies to be missed!
This month I'm showcasing the Dia de los Muertes stencil by Andrea Matus deMeng. This was a stencil that I passed on at first, but once I realized all of the different ways I could use it, I couldn't get my hands on this one fast enough!
For this project, I had an idea to try something fun and different in my art journal. Here's a view of my finished project.
But wait! There's more! This isn't just a single art journal page, and I don't know if I'd call it a page either! Ha! Do you remember those fun flip books that you got as a kid where you could flip a section of the page to combine the images on each page into something new? I thought it would be really fun to do that for this project. Here's a peek of what I'm talking about...
Last month I was traveling and I had some time to kill in the Denver airport. I stopped into this really cool gift shop and as I wandered, I noticed a fun book tucked away on a clearance shelf in the back (it had some damage to the covers;) it's called The Big Book of Art.
Combine the killer discount with all of these split pages on the inside, and I couldn't pass it up! Some pages have holes in them, etc... so that multiple pages came together to create something new and tell a story. (Of course, you don't need this book or one like it - you can always just cut the pages in your art journal and make your own flip pages. Three sections would be even more fun!)
So I bought it knowing that I wanted to use the book as an art journal and it became my starting point for this idea. To start, I took it out along with the Dia de los Muertes stencil and the Abigail, A Timeless Woman stencil - also by Andrea Matus deMeng. I had a chance to take classes with Andrea last October, and I learned a little known fact - did you know, many of Andrea's stencils are designed to work together? Her original 9x12 face stencils (Eve, Abigail, and I believe Doris as well,) will all work with the mask stencil (and many others!)
I started by using painter's tape on the back of the page to keep the two halves in place while I was working. Then I sanded the pages of the book - they're a bit glossy which can make them hard to paint. Next I gesso'd, put down lots of collage papers, and added a layer of paint. After that, I stenciled with Abigail first in a dark brown.
Once that was done, I pulled out more of my paints and turned the stenciling into a portrait. Finally, I used the Dia de los Muertes stencil and lined it up with the painting below before stenciling in black (you can see above how easy it is to see the image on the page through the mylar stencil.)
Once I had the outline of the mask in place, I looked up images of sugar skulls online and went through and added color and detail inside the stenciled areas.
Of course, what good is a flip book with only one page? I repeated a similar process on the following pages, I just varied the colors and the way that I combined the stencils. As I finished each page, I took the tape off the back. For the first page where I'd collaged over it, I went back through with a ruler and an x-acto knife and re-cut the pages. On the second one, I also used Andrea's A Rose by Any Other Name stencil to do some Gelli printing with a mini square Gelli Plate. I decided to go a bit on the funky side and make her yellow. In order to try and get the faces to line up (it didn't always turn out perfect, but it was usually pretty close!) I put half of the previous page over the new one and then use painter's tape to hold my stencil in place after I'd positioned it so that it would match.
The third page was almost entirely paint - I wanted lots of brightness, contrast, and a bit more of a pop art look.
The back page isn't split - it's the base for the whole section. For this part, I wanted to use just the mask stencil and go a little bit on the creepy side.
Once all of the pages are done, it's time to play! Here you can see all the different combinations of looks you can get... all from two stencils!
Finally, what would a blog hop be without a GIVEAWAY??!!!
Hi everyone, just popping in to let you know that my monthly installment of "Gwen's Gems" is up on the StencilGirl blog. This month I did quite a bit of playing and ended up with a kind of hand sculpture made from a stencil base that lives in its own little box - I'm calling it a shrine for a lack of a better term (and I guess it sort of is one!)
If you're interested, you can head on over to view the full post where there are more photos (with close-ups, naturally!) as well as a tutorial / overview of my process for making this piece. Enjoy!
It's StencilClub inspiration day over on the StencilGirl blog! This month's exclusive club stencils were designed by Terri Stegmiller and are perfect for Spring! Of course, my project ended up going in the opposite direction, but I still absolutely love it.
This month I made myself a new art journal - it's a 6"x8" codex-bound book and I used the stencils to make the covers and binding.
Head on over to see the full post with more photos of my project as well as more fabulous inspiration from the team!
Hi everyone, welcome to my stop on today's blog hop with StencilGirl and Earth Safe Finishes! This year, to celebrate Earth Day, we have a fabulous bunch of posts bursting with upcycled projects. What better products to use for this than stencils and Earth Safe Finishes? These are "green" paints and mediums that I enjoyed using without worrying about whether or not I could pour my paint water down the drain.
For my project, I decided to do something new - a window! I had a lot of fun with this one... the only downside is that glass is super hard to photograph, so hopefully these pictures will be good enough to get the point across :)
Here's my finished window with a big sheet of mat board behind it so you aren't looking at all the junk on my desk :)
For those who are interested, I also put together a little tutorial so you can see how this all came together.
First, I started with a window that I picked up at a local salvage yard. Aside from being dirty, it was in really good shape and didn't have a lot of paint layers, so I didn't strip it (hopefully that doesn't come back to haunt me later!) I cleared a space to set it on my desk (where it barely fits!) and taped off all the windows with painter's tape. Since it already had such a nice color on the base, I went straight to a layer of Earth Safe Finishes crackle medium and then let it dry.
Since I was pretty much flying by the seat of my pants on this project, I decided that I needed a layer of gesso on top of the crackle medium, so I added that.
Next, I received a little jar of Earth Safe Finishes black chalk paint and it just seemed like a good idea to use that next so I put down a nice, solid coat of that and let it dry.
Turns out that was actually a really good decision because when I put the Ann Butler Designs bronze iridescent paint on top of it, it was like magic. I just rubbed it on top with my finger, not completely covering the black but blending it out. It's hard to see in the picture how cool it actually looks.
Next up, I took some of their liquid pigment additives and mixed a few drops into the Earth Safe Finishes gel medium to make up a nice dark turquoise. I painted that on the inside edges of the window panes (you can see this below) and then I coated it with a layer of Ann Butler Designs Iridescent paint in Lagoon which was about the same color only with that beautiful shimmer (which you can sort of see above.)
Finally, I used my gold Sakura Pen-Touch pen to go around the bevels on each of the window frames (above.) I did a little paint touch up, then it was ready for stenciling.
There are a few different ways that you can stencil glass. Since I didn't have the supplies for etching I didn't go that route, although that would look amazing! I didn't want to paint directly on the glass because I knew it would just peel off. Instead, I found a picture on Pinterest where someone had cut shapes out of contact paper and applied them to the window as a kind of privacy screen. I thought that could be translated here, only I used deli paper instead and stenciled on top with Onyx Ann Butler Designs Iridescent Paint. I used my Decorative Curvy Ornament Repeating Corner stencil to stencil the ornament in halves as shown below.
I did this six times - two halves for each set of window panes. Then I cut them out and used spray adhesive to apply (matte medium makes it harder to see the design in this case, and it seemed like the spray adhesive stuck pretty well.) I used a credit card to try and get out bubbles. You could also stencil on contact paper and apply that, I just didn't have any handy. I went back through with my gold pen and did a little coloring, and I also added some dots outlining each ornament with a fine yellow Sharpie paint pen.
The very last step... time to embellish. I wanted this to be simple, but to have a pop of color that would really stand out from the darker colors and I wanted something that would pull the whole thing together. It's April and it's Earth Day, so I dug into my gigantic stash of Prima flowers and pulled out a bunch that I thought would work (because "the Earth laughs in flowers," right?) I cut a long strip of cardboard and painted it both sides with black gesso. When it was dry, I added a strip of a red-violet vintage beaded trim, then adhered the flowers on top in a row.
Because the wood between the windows is fairly thin and beveled, this worked well to give me a flat surface to adhere the flowers. Then I just adhered the whole strip to the window frame right in the middle.
I'm pretty pleased with how this turned out... now I just need to find the perfect place to put it!
That's it for me, I hope you enjoyed my project!
Of course, that's not all for this post... we simply can't resist giving something away!
Please take your time and visit each blog showcased today through Wednesday and leave a comment. The more blogs you comment on, the more chances you have to WIN this one of a kind, 9x9 inch Cold Wax painting on Arches Oil Paper by Mary Beth Shaw!
One comment per person per blog please. You will have until Monday, April 25th at 11:59 pm Central Time to leave your comments.
The winner of the give-away will be announced on StencilGirl's Facebook page on Wednesday, April 27th.
Here's the list... make sure you click through to see all of the other upcycled projects in today's special Earth Day blog hop to be inspired, and comment for your chance to win!
This month I went back to a more classic mixed media project with a 24"x24" canvas using a whole bunch of my stencils from StencilGirl:
Head on over to see close-ups, as well as the tutorial on how I made this piece.
Hi everyone, it's StencilClub Inspiration day again! The whole team at StencilGirl is sharing some fun new project ideas using this month's awesome StencilClub designs from Mary Beth Shaw. Here's what I made this month - I refinished a decorative box that I picked up for half price at the craft store.
Make sure to pop over and check it out for more photos and a bit of explanation of how I made my cool little box. You'll also want to be sure and check out the fun projects from the rest of the team to get you inspired to start creating :D
Hi Everyone! So excited today to be part of the blog hop for a brand new StencilGirl product launch... StencilGuts! Yup... now you'll not only know what happens to pieces that get cut from stencils, but you can get your hands on them to use in your projects. They're super versatile and fun to use as well. For my project with them, I decided to put together a new handmade art journal that features the StencilGuts in lots of different ways.
Without further ado, here's the cover of my journal:
On the cover, I coated the entire background with gel medium, one section at a time, then just grabbed pieces from the Random DirtyGuts and pressed them into the gel. I kept adding pieces until it was pretty full, then let it dry. At that point, I brushed on some green paint and some brown ink, then I covered the entire thing with a brown glaze, waited a minute, and wiped it back so that the only part left was in the holes between the StencilGuts. I love how it turned out - it really highlighted the edges and made a cool pattern!
I also used two different sizes of the same shape from the Geometric StencilGuts Shapes as the basis for a clay medallion to put as the focal point. I just took some air-dry clay and smoothed it out over the shape, then pressed some marks into it and added little details. I did the same with the smaller shape and then put it in the middle to make it two-tiered, then stuck a jewel in the middle while the clay was wet. After it dried, I just applied a few layers of paint to make it look kind of like antiqued metal. In the background, I actually took a strip of mylar that came with my Random DirtyGuts and diecut it with a Spellbinders die. Yes, you can diecut them! Of course, if you use a detailed die, not all of the pieces will come out and you'll need to run it through a few times. But it cuts and embosses beautifully!
First page of the book and the inside front cover:
On the left, I used some underpaper that I really liked to put over the inside of the cover. On the left, I traced another of the Geometric StencilGuts Shapes and then cut it out slightly smaller to make a window. I used alcohol inks on the shape itself and then glued it onto the backside of the page to make the window. I used my Ornamental Compass Screen stencil around it to add some pattern to the page.
Check out how cool it looks when you put the light behind it - it's like a stained glass window!
The back side of the first page with some embellishment and it's hard to see, but I used my Ornamental Floral Screen stencil in the background with gold ink for a subtle touch. That stencil has really become one of my favorites! On the right side, I created a pocket and covered it with patterned paper, then inside are different leaf shaped StencilGuts. As of right now I don't think there are any of these available, but what's in stock will change depending on what stencils are being cut, so check back! Anyway, I used more alcohol inks on these and then added some word stickers and tucked them into the pocket (the top one is glued in place, though.)
For these pages I used Dylusions paints, stenciled on top with my Ornamental Petals Screen stencil and gold ink, then edged the pages with more ink. On the right corner, I got two of the same shape from the Flourishes StencilGuts Shapes pack and I knew I wanted to use them back to back on the corner of a page like this. I used gold crackle paste to do the front of one and the back of another and let them dry. Then I glued one in place on this side and cut off the cardstock around it on the corner.
Then I added the matching reverse shape on the back and decorated that page.
For this one I used more Dylusions paints and gold ink, this time with my Ornamental Circle Cluster Screen stencil. On the right side, I used the same technique as on the first page with two smaller shapes from the Geometric StencilGuts Shapes pack.
I used my Ornamental Compass Screen stencil again, and added a little flap on the right side with another shape from the Flourishes StencilGuts Shapes pack along the edge - I colored this one with a gold paint pen.
There's a fun little space tucked away in there just waiting for some journaling, collage, or whatever I want to add!
Second to last spread:
This spread uses my the Birds StencilGuts Shapes along with my Ornamental Embroidery stencil on top of more Dylusions paints and some collage. I coated the birds using a white, oil-based paint marker and let them dry, then glued them in and added some shading with a Stabilo All pencil. I love the bird shapes pack - there are a lot of different StencilGirl stencils that use birds, and you get a great mix of them in here!
Last page in the book...
I used a larger piece from the Geometric Shapes StencilGuts pack and diecut and embossed it with another Spellbinders die. I just left this one plain since I liked how it looked. (Again, to get some of the details I had to run this through the diecut machine several times, then use my scissors to help some of the pieces come out.) I used my Ornamental Petals Screen stencil one last time along with a bit of collage. More painted underpaper on the inside of the back cover (you can see some hints from the March StencilClub 9x12 stencil on there too!)
So that's it! The entire book, all done and ready for some journaling (or not!) I hope you enjoyed it and are feeling inspired to use StencilGuts in your projects!
Now for the part you've all been waiting for!
It's that time again... today my March Gwen's Gems post is up on StencilGirl Talk! This month I was inspired to try using my stencils and a hot knife to make a clock out of an old vinyl record.
It's StencilClub Inspiration Day over on StencilGirl Talk... the new March 2016 StencilClub kit features some fun and versatile designs from Suzi Dennis. They were so much fun to work with! When I looked at these stencils, I saw water and sea plants (because my brain is a bit weird like that... LOL.) I decided to use the stencils to help create an underwater scene in an assemblage piece. The whole thing is based on a cigar box.
This piece took several days to complete and I didn't do a tutorial, but I did take a few photos along the way so you can get a sense of how it progressed.
As I mentioned above, I knew it was going to be an underwater scene, so I started with the fish. He's made from Aves Apoxie Clay over a small hand-cut cardboard armature with watch parts, beads, and a little vintage art deco finding in his tail.
Next, I put the base coat of paint on the fish and constructed the porthole that he would be swimming in inside of the larger piece. The porthole is also made out of Apoxie Clay, and the "glass" is a sheet of mica - I sized this part so that it would fit perfectly over the 6x6 stencil, which I used with some turquoise crackle paste to begin making the background for the porthole.
Next it was time to start on the cigar box. Rather than invite a giant mess by attempting to stencil inside of the cigar box, I measured and cut a sheet of bristol paper that would fit perfectly inside and created the background on that. Crackle in the background, then I stenciled over top with copper crackle paste. Do you see sea plants coming up from the ocean floor? Maybe that's just me...
At this point, I got fully immersed in the project and taking pictures didn't even cross my mind. Everything started falling into place for the cover (inside and out,) and I discovered that I really like making clay tentacles. Never thought those words would ever come out of my mouth...
I used the 9x12 stencil as the background directly on the lid of the box, the 4x4 stencil used as part of the foundation of my cycloptic tentacled monster medallion box embellishment. (Say that 5 times fast! LOL.) If you look closely, you can see it in copper behind a few layers of metal. The whole thing is set on a Spellbinders circle diecut that I aged with paint to look like rusty metal.
On the inside of the lid, an image of what I was going to do just popped into my mind, so I quickly sketched it out and got to work. I decided to use beads to suggest the bodies of my tentacled sea monsters, and I really like the effect! The beads were all set in Diamond Glaze.
You can see where I used the 4x4 and 6x6 stencils in the background to frame each sea monster and show through behind the beads. The stenciling also helps to ground each little sea monster hole within the composition by connecting them to the edges of the lid.
This project was so much fun to make, and I LOVE how it turned out! I think it's also pretty cool that the stencils provided the inspiration, the framework, and necessary detail to make the whole thing happen... bonus! They're super versatile and I'm sure I'll be using these a lot.
Make sure you stop by StencilGirl Talk to see more projects from the team using this month's fabulous StencilClub collection!
Just stopping in to let everyone know that I have a new project up for my Gwen's Gems monthly post on StencilGirl Talk. This month I was inspired by an antique Roman reliquary and I made my own version using stencils, paints, collage, mica powders, and Aves Apoxy Clay.
Make sure you head over to StencilGirl Talk to see more photos of the project as well as a step-by-step tutorial!
Here's my project for this month... one of my all-time favorites. I actually ordered a frame for her - I love her so much she has to go up on the wall to be admired all the time! I was very inspired by the work of Andrea Matus deMeng for this project - I picked up some great tips while taking classes with her in Stamford back in October.
Check out the post on StencilGirl Talk to see all of the inspiration from the team for this month! Also if you're interested, below are a few step-out photos from while I was making her, as well as a few more close-ups.
First, I painted the face using a reference from a magazine. I haven't done much with painted portraits, so I was very pleased with the results! Here it is in progress:
I cut the finished face out (it was on mixed media paper) and then I did a little stenciling on top:
Next I started working on the background. This was an 11x14" sheet of heavy-weight vellum finish Mixed Media paper (Strathmore) and it was painted with Carbon Black. I used a protractor and ruler to do the "rays" around the stenciled area I put down from the 9x12. You can see below how I used painter's tape to mask off each section as I went - there's a different pattern in each area and I didn't want them to bleed into each other.
From this point I did a lot of stenciling and collaging, but I didn't take any pictures. Some of it was stuff I leaned in Andrea's class (hence the lack of tutorial,) and some of it was just getting so caught up in the process that I didn't think to take any pictures! As I got toward the end, I needed a background for the torso of the figure, so I pulled out some plain tissue paper and stenciled on it.
I used Archival Ink for that, and then used some permanent spray inks over the top (turquoise and gold) and crumpled it all up before distressing with black ink and then cutting and gluing it onto the background. You can't really see it unless you're looking for it, but the pattern has a nice, subtle impact.
Here are a few more close-ups of my finished piece:
So that's it! I hope you like it :) Don't forget to head over to see the post on StencilGirl Talk and check out the rest of this month's inspiration! Lots of ideas and a great variety of projects being shared, as always!
I got to use black and white sets of 4x4" Art Squares, cream colored ATC Art Squares, and a lovely gray 2"x2" set of Art Squares along with my StencilGirl Stencils. I love that Inchie Arts makes their products from mat board - that makes them perfect for pretty much whatever I wanted to do with them! In fact, they were so much fun to work with that I couldn't stop with just one project. I made two 4x4 art books / mini art journals with the 4" art square sets, and of course I had to make some ATCs!
Here are the individual projects, starting with the ATCs. If you scroll down a bit there's also a little tutorial showing how I made all of these :)
Here are close-ups of the cards along with the stencils I used. All of my ATCs were done with the cream ATC Art Squares. All of the images I used are from photos that I took myself in my travels - this group includes photos from Cambodia, Bali, and Myanmar.
For those who are interested, here's a little tutorial that shows the basic process I use for my cards. I typically make them one at a time and I never know what I'm going to do when I start - I just pick one up, choose an image, and go from there. It's always fun to see what comes out! This was my process as I made the first card with the reclining Buddha statue from a temple in Myanmar.
Step 1: I choose the image to use for the card. Then I either paint or ink the background. For this one I used paint:
Step 2, I stencil the background (this is the Ornamental Petals Stencil) and I also usually add some inking around the edge. I mostly use Sepia and Black Archival Ink for this with a mini blending tool.
Step 3: I took some gold cardstock and a border punch that had a design that worked with my theme and punched and inked a border to use on the card.
Step 4: I absolutely adore sari trims, fabrics, etc... and have an ever-growing collection that I like to use in my artwork. I took a piece from my basket of scraps and used some of it here. You could use ribbon, any fabric, a border sticker... whatever you like! I also like to use glitter tape or washi tape for this. I added it to my punched border after adhering the image. This helps embed the image better into the overall design without leaving visible hard, straight edges.
Step 5: Time to pile on the goodies! I love using jewels (with this type of theme, at least,) along with Liquid Pearls and a gold pen to edge the card.
Step 6: I felt like this one still needed just a little something, so I pulled out some old butterfly rubons and added them, then embellished with some gold Liquid Pearls.
That's it for my ATCs... I can't wait to make the other six with the rest of my package of ATC-sized Art Squares.
Of course, just making ATCs wasn't enough for today... as I said, I had a few packages of 4" Art Squares in different colors. Since the Art Squares are made out of mat board, they're absolutely perfect for making into books, so I took each set of Art Squares and bound them into mini art journals using single-sheet Coptic binding. Here are the two books that I made - one with black pages, one with white (maybe next time I'll mix them!)
Here you can see what the binding looks like - it's actually very easy to do! I use the tutorial from Boundary Press - I find it very easy to follow.
Here's a close-up of the first cover - I used my Ornamental Petals Screen stencil along with some of the gorgeous new copper texture paste from Art-C as the base layer for the covers. Then I used the Ornamental Petals Mask and stenciled onto black cardstock with copper paint, cut it out, and mounted it on the cover with foam for some dimension. Finally, I had a polymer clay flower thingy that I'd made during my jewelry-making phase a few years ago. I'd tossed it in a bin as a failure, but pulled it out and repainted it and I love it on my cover! Naturally I added Liquid Pearls for my dots, and I tucked in some bits of DicroFibers (Angelina Fibers) for a little extra texture and bling.
Finally, here's a close-up of the second book. I painted the covers, put down a layer of gold crackle paste (leaving a few places where the background shows through,) and then used Archival Inks and some turquoise Luxe paint from Art-C to add extra dimension and interest. I actually stenciled with my Ornamental Compass Screen and black ink after doing the rest; it gives it a softer look and it feels to me like it's more a part of the whole rather than an obvious stencil design on top.
So that's it for today's projects! I really loved using my StencilGirl stencils with the Art Squares and ATCs from Inchie Arts - they take all of the paint, ink, and mediums beautifully, and are sturdy enough to build up lots of layers (even my clay flowers!) I hope you enjoyed today's post as well!
Now for the best part of the blog hop:
We'll be picking one lucky winner to receive:
one $25 StencilGirl Products Gift Certificate
1 package each of 4", 3", ATC (2.5" X 3.5") and Swatch (2" X 4") sized white Art Squares from Inchie Arts! (4 packages in all!)
All comments left on the hop list participants’ posts will be entered. One comment per person per blog please.
Comments close on January 30th @ 11:59PM Central.
Winner will be announced on StencilGirl Product’s Facebook Page on January 31st.
Make sure you visit and comment on all of the blogs today, and stop back in at StencilGirl Talk daily to make sure you get links for the whole week!
I've got a new project over on StencilGirl Talk today - it's my monthly installment of Gwen's Gems! (I still giggle a bit when I type that.)
Make sure you head over to read my post on StencilGirl Talk to see more photos and details as well as a tutorial so you can make your own!
Hi everyone, my December installment of "Gwen's Gems" is up on StencilGirl Talk! This month I'm showing a few different ways that I take my stencils and use just parts of the design to really make them my own. I'm featuring some ways to use my Ornamental Peacock stencil for this one!
Make sure to head over to StencilGirl Talk to see more details from the finished piece, as well as a quick tutorial on how I started building her headdress.
Also, just a reminder that if you haven't yet checked out Creative JumpStart 2016, now's the time! The coupon has expired, but you can still save $5 on registration through the end of the year! There's a lot of fabulous inspiration planned, and this year it's all downloadable. I hope I'll see you there!
Hi everyone, today is StencilClub inspiration day over on the StencilGirl blog! I've got two art journaling spreads using this month's fabulous stencils - another release from Mary Beth's Private Collection.
To start, I used them for one of my Inspiration Wednesday challenges:
I also did another art journaling spread in my junque journal:
First, I used the 4x4 stencil with bronze metallic paint all over a sheet of vellum finish mixed media paper.
Once all of the paint was dry, I used JudiKins Diamond Glaze and covered the numbers and let it dry overnight. This gives you a hard, clear, raised and glossy finish. When that was dry, I cut out the numbers - some in strips, some individual.
It's really hard to get a picture of the dimension since it's clear, but here you can kind of get a sense of it. Anyway, I hope you're feeling inspired! And if you're not a member of StencilClub yet and you love this month's stencils, sign up by December 15th and you'll get this as your first kit!
Hi everyone, I'm up on the StencilGirl blog sharing a new project - this month using some of my new stencils! I made a painted spice tin inspired by Pinterest, and there's a tutorial to show you how to make your own.
Make sure you head on over to see more photos plus the tutorial!
Hi Everyone, today is our creative team post sharing projects for this month's StencilClub stencil collection. I say it every month, but this is my new favorite StencilClub release. Take a peek at this month's stencils designed by Seth Apter:
(Here's a little plug... if you sign up for the club before November 15th, you'll start your membership with this collection! Just sayin'...)
I may have gone a teensy bit overboard this month. (Cough cough...) Of course, I was sitting in my empty house with nothing to do but play with the stencils and a few bags of art supplies I brought with me from Chicago in the trunk of my car. Thus my file folder art journal was born! I took three file folders, nested and bound them to make the journal (I just used a pamphlet stitch with some waxed thread.)
Without further ado, here's my project... starting with the cover.
I used the 9x12 and 6x6 stencils for this... I took the "TRU" from "TRUTHS" and then the "E" from another word to spell "TRUE" and then stenciled "story" from the 6x6. Word stencils don't always have to say exactly what's on them - you can mix it up!
Since I'm still working out of boxes, I pulled out a few random things to collage onto the cover that I ended up loving. A piece cut from some Chinese ephemera (it's probably a good thing I don't know what it says.) Also some fussy cut glittery pieces from a fancy paper scrap, some rubons, some dicrofibers (hard to see in the photos) and more stenciling. I love how much depth you can get while keeping the actual project relatively flat.
Next up is the first spread:
On the left I used a lot of repetition from the 9x12 stencil (my favorite of this set) with paint, ink, and a little collage. On the right, I used the textural elements on the stencil with molding paste and paint. I also added a little window that's framed with a chipboard slide holder (I believe it's a Maggie Holmes embellishment from Crate Paper.) It's backed with a piece of 7 Gypsies printed transparency.
Here are a few close-ups so you can see more of the stenciling on these pages:
I also used some of Seth's stamps with acrylic paint to get layers of texture into the background. On the right I just used a very old library card pocket and a shipping tag along with a strip of beaded and embroidered ribbon.
The butterfly is a Chinese papercut that I picked up in Beijing a few years ago. I added some old Basic Grey rubons, paint (most of this actually came from cleaning my brushes on a spare folder that I ended up using,) very light stamping in the background, and lots of stenciling!
First, the left-hand side using the 4x4 stencil on the back of my peacock tag and the 6x6 underneath it (the design in the background is from one of my handcarved stamps.)
So there you go... that's my project for this month! I hope you enjoyed it, and for you StencilClub members, I know you're going to adore this month's stencils!
Don't forget to visit the StencilGirl blog for our group post - there are several other awesome projects using this month's stencils that you won't want to miss!
Hi everyone, just popping in to let you know that the first post in my monthly blog column, "Gwen's Gems," is up on StencilGirl Talk! (I didn't come up with the name... I'm just trying to live up to it! lol.) This month I'm sharing how to make the stenciled paper beads that I used for my Art is You Stamford trades, plus a bonus project where I made a paper bead bracelet.
Head on over for a tutorial and more photos!
Hi everyone, just popping in quickly to let you know that this month's creative team inspiration post is up on the StencilGirl blog! This month we have a very cool set designed by Mary Beth Shaw that is actually nine stencils in one instead of our usual 3. Make sure you check it out! Here's the art journal spread I did this month... you can see more details in the blog post.
There are more projects from the other three creative team members included in the post this month, so make sure you check them all out!
For today's project, I thought I'd try something that's been kicking around in my head for a while. Traveler's Notebooks are super hot and trendy, and I've seen some homemade art journal inserts, but I thought I'd like to make a stenciled Junque Journal insert, so I did!
Here you can see mine inserted into my notebook. My cover is actually by Chic Sparrow and I use the wide one that fits the Moleskine Cahiers instead of the original, thinner Traveler's Notebooks (although those fit in here too!) With that, here's a very quick overview of how I made it, and how I used the Groove Tool to pull it all together!
First up, I did the cover. I used a sheet of very thin chipboard because I knew I'd want it to be somewhat sturdy after it's full and I take it out of my traveler's notebook. I cut it to the size of a Moleskine book - 8"x10.5." Then I used the brush attachment on the Groove Tool to stencil the Butterfly Duo stencil by Maria McGuire with acrylic paint.
To finish the cover, I added lots of detail to the butterflies and then used pieces from a travel themed ephemera package from Art-C (makers of the Groove Tool) to embellish. I used one of the sanding attachments for the Groove Tool to do a little distressing around the edges of my cover. That's definitely a lot handier than trying to sand by hand!
Next, I made the inside pages of my journal. There were several very cool sheets of 5x7 patterned cardstock in the ephemera pack, so I combined those with paper scraps and some thin, black masking tape to make each folio - there are five of them, all sized 8"x10" when I was finished assembling.
I punched holes and bound them into the cover and then started decorating. The backs of most of those pages were pretty blank - perfect for stenciling, of course! This time I used the sponge attachment (I need to get a few refill packs of these!) These work great with ink, but I also really liked using them with paint.
I used some of my hand-carved stamps in here to alternate with the stencils. Here's the list of stencils I used in the order they appear in the book:
Finally, the back cover so you can see how it looks inserted into my notebook:
Make sure you leave a comment below and on all of the other posts this week since one lucky winner will get their own Groove Tool plus a $25 gift certificate to StencilGirl!
Today there's one more stop for you to visit, and make sure to visit StencilGirl Talk to get the list of any posts you might have missed on Monday and Tuesday.
I'll get right to the project and then show you a brief step by step of how it evolved. A little background on how this came about - I love to make books, and I LOVE to travel! So naturally, I make books to use as travel journals. Usually I do a 3-ring book and don't actually bind it, but for my trip to Bali this month I decided to try something a little different, and I thought that using StencilGirl stencils and products from USArtQuest would be perfect!
Here's my finished book (pre-trip, of course!)
And now for a little how-to... I started with the covers. I picked out some 8x10 canvas panels to use for those and started decorating. First, I did the back cover. I took a beautiful half-sheet of USArtQuest Art Papers and decided that I would add a little copper Perfect Pigment Fluid Acrylic paint to the background to make the flowers stand out. I won't lie... this took a while, but I find it pretty relaxing, so I didn't mind.
Next I started working on the front cover. I used more Perfect Pigment paints to cover the background, then stenciled the main image using the Bloom True stencil by Flora Bowley.
If you look closely, you'll see that this stencil comes in two parts - the outline, and then the actual flower mask. I left the pieces together for this part so that I could add an outline later. I used the Perfect Pigments paints again - I mixed Magenta and Wheat to get the lighter color for the flower.
I knew I wanted the cover to be inspired by batik fabric designs, so for the outline (you can see above that I removed the mask) I used Duo Gilding Adhesive to put down a layer of glue so I could go back through and gild the outline. Once the adhesive was tacky (follow the directions - "when it's white it's not right, when it's clear it adheres!) I put down the Gildenglitz Leafing and then buffed off the excess.
I used the Spring Fling stencil by Flora Bowley and repeated this process so that I had some leaves. Then I added a few other details and a title. I glazed both the front and back covers to they'll stand up to travel and handling. While that dried, I assembled my inside signatures. I separated the trip into travel time and then actual days in Bali and set up a signature for each day there and then one at the beginning and end for the travel (it's almost 2 days each way!) I bound it all together, and there you go!
For the inside, I used more of those beautiful half-sheets of artist papers to make the end papers of the book. Here's the inside of the front:
I also went through with stencils and Perfect Pigment paints and stenciled designs on some of the blank pages. I liked the transparency of some of the paints, because it makes good backgrounds for writing or other things I might add during the trip.
Above, I used the Going Global stencil by Mary Nasser along with the beautiful pearlescent green paint.
On the next ones, you can see where I bound this gorgeous textured artist paper into the book, and then added some stenciling next to it:
And last but not least, the finished and bound back cover:
No blog hop is complete without a giveaway... one lucky winner will receive a $25 gift certificate to StencilGirl as well as some of the USArtQuest Decorative Papers and Perfect Pigment Acrylics that you're seen us use in this week's hop!
Make sure you visit all of the stops on this fun, 2-day blog hop and leave a comment on each to increase your chances to win! (One comment per person, per blog please.) The giveaway closes on Sunday, Sept. 19th at 11:59pm Central.
Today's blog hop participants:
Hi everyone, I'm just popping in to let you know that I've got a project I'm sharing in today's group inspiration post for the new September StencilClub stencil kit.
Here's what I came up with - going with this month's theme, I'm calling it "Hidden Messages." It's a 10"x10" mixed media canvas.
There are a few in-progress shots over on the StencilGirl blog, as well as more inspiration from the rest of the creative team. I hope you'll stop by and check it out!
Hi everyone, welcome to day 3 of our blog hop! The StencilGirl creative team has been playing with the fabulous VerDay Paint and Patina kits from TENseconds Studio, and this week we're sharing our projects.
For today's project, I wanted to do something with this cool wooden triptych that I had on hand from Paper Whimsy - I thought it would be a perfect substrate for adding a patina finish. Here's what I came up with, and below is a quick tutorial for those who want to see how to make it.
Before I got into the project itself, I made myself a little chart so that I could see how each of the paints in the kit would react with the patina spray (it was also great to get me used to working with it!)
Once that was done, I was able to pick out the paints I wanted to use for my project. To start, I gessoed all of the wooden pieces and then painted them with two coats of the VerDay copper paint, then let it dry. I added another coat in places and then sprayed with the patina spray and let that dry and change colors. Then I went in with some bronze paint and repeated the process so I'd get multiple colors of patina on my piece.
Next, I used a texture medium (Goosebumps from Imagine Crafts) and the Crackle stencil by Nathalie Kalbach to get a subtle raised crackle effect on my piece.
Once that was dry, I brought in a little copper paint to knock back some of the patina a bit. Then I got out a sheet of heavy vellum where I'd stenciled and colored some "stained glass" windows using the Church Window stencil by Margaret Applin and some irRESISTibles. I thought it would be fun to use pieces of this in the panels of my triptych.
I cut those out and adhered them (I used Helmar Quick Dry - the vellum wants to curl otherwise, and it's great for gluing the wood together as well.) Next I stamped a favorite quote into the center as the focal point of my piece.
The quote is by Gustave Flaubert and roughly translates as, "To travel makes one humble. One sees what a small place one occupies in the world." I absolutely love to travel and this really resonates with me!
Next, I needed to fancy it up a bit. I pulled out a bunch of different metal charms and flowers and started assembling them (or cutting in one case!) into little clusters to embellish my triptych. Once I got them the way I wanted them, I glued them together and then used the copper paint and patina spray to unify them (they were all different metals) and age them up a bit so they'd match my piece.
As much as I loved it (I even got my dots in there!) I thought it still needed a little something. So I took a piece of cardboard, measured, cut, gessoed, painted, and stenciled (whew!) and then I decided to use some copper leaf with the Church Window stencil to bring that motif into the project again and kind of make it look like the windows were glowing.
I hope you enjoyed today's project! Be sure to check out all of the blogs on this week's hop and leave comments, because there's a giveaway!
One lucky winner will receive a 4-piece kit containing VerDay Reactive Metal Paints and Patina, and a $25 StencilGirl Gift Certificate! (Make sure you also visit Cheryl from TENseconds Studio for an extra little giveaway she's got going on!)
All comments left on the hop list participants' posts will be entered. One comment per person, per blog, please.
Comments close on August 21st at 11:59pm Central.
Here's today's lineup, and if you missed the other posts this week, you you can always go back to StencilGirl talk to catch up!
Thanks for stopping by!
Hi Everyone, welcome to today's StencilGirl blog hop showing off the new stencil release by Seth Apter!
I was pretty excited to work with Seth's new stencils - I always love his designs, and these are no exception! I'm pretty sure these will all get lots of use in future projects, but for today I decided to do an art journal page using one of my favorite techniques - building up layers with little "windows" in them so you can see some of what's below.
For those who are interested, here's how I did it. To start, I picked a color palette (otherwise I always pick the exact same colors!) and then painted the background and then stenciled the new Text and Texture Discovery stencil repeated across the whole page. Once that was dry, I used the square and circle from the Urban Outsiders Stencil in diagonal lines to create spaces for me to use the new Insiders stencils.
I let that layer dry too, then went through my old rubons to find some fun images to add. I got a bunch of those on the page (sealed with matte medium) and then stenciled a phrase from the Text and Texture Discovery stencil onto a piece of gesso'd book paper, ripped it out, distressed the edges, and added on top with some foam tape. The final touch was some messy journaling wrapped around the shapes on the page. Voila!
And as a little bonus project, as I was working on this I started cleaning my paints off on a tag, and ended up finishing it up with the same technique as the art journal page, only I used the Techno Insiders Star stencil for this one.
Of course, it's not a blog hop without a giveaway, right? Here are the details:
$25 StencilGirl Gift Certificate to one lucky winner!
All comments left on the posts in today's hop will be entered.
One comment per person per blog please.
Comments close on July 24th @ 11:59PM Central.
Make sure you stop by each of the blogs on today's hop to see all of the awesome projects (and of course, to leave comments to up your chances to win the giveaway!)
Hi all - I've got a post and tutorial up on the StencilGirl blog today showing details and instructions for this project:
It's a mixed media kalaga! A twist on the elephant sculpture based off of a stencil that I did a few months ago (and taught last month at the Clubhouse!) and I used it to make my paper and glue version of the gorgeous embroidered wall hangings. Make sure you head over for details and more photos... this was a fun one and I love how it came out!
Welcome to today's stop on the StencilGirl blog hop using some awesome products from USArtQuest! I've been a fan of their products for a long time, so for this project I was really excited to play with some of their product lines that I'd never used before.
I've been in a collage / bookmaking frame of mind for a while now, so today I'm sharing a collage that I think will eventually double as a book cover.
I started with a 9x12 canvas board and used matte Perfect Paper Adhesive to collage pieces of various papers onto the background, knowing that I was going to be working on top of them. Then I got to work with the USArtQuest Dicrofibers and my iron to make myself a palette of fused fiber "papers."
I'll confess - when I first opened up the package of supplies and saw the bag of fibers, I was a bit stumped! Fortunately we also had a dvd that showed lots of different techniques and then I was intrigued! Once I tried it, I was hooked.
You can see above how the fibers fuse to create a solid surface. They're super glimmery, plus I added in some mica flakes for a little extra oomph.
Once I had several colored sheets, I went ahead and started using my Intersections stencil by Michelle Ward and a Stabilo All pencil to trace shapes from the stencil onto my fused fibers and then start cutting them out. I used the stencil again as a placement guide as I started placing the pieces onto my collage - I adhered them with Great Tape - which is really pretty great!
Here you can see more progress - I also added in a bit of Quinacridone Burnt Orange paint, and I also started using some of the awesome Mini Prills to add a different texture to the page - I used glossy Perfect Paper Adhesive for those and it worked great!
I just kept going like that until I had filled it in so that I liked it, but it still didn't feel quite done to me, so I went through my small stencils looking for something to add as a focal point. I decided to use the Classic Retake Feather stencil and mask by Rae Missigman. I traced the outline and cut it out, then used Archival Ink and a blending tool to stencil on some of the details.
I really liked playing with the Prills - I knew I was going to love those as soon as I saw them, but the big surprise was the Dicrofibers - I'm going to have to get some more of those because they're really cool! A huge thank you to USArtQuest and Susan Pickering Rothamel for sending us such fabulous products to play with!
Don't forget to visit all of the other creative team blogs this week for even more inspiration!
As always, you can also visit StencilGirl Talk every day to make sure you see all of this week's fabulous inspiration!
Hi everyone, I'm up on the StencilGirl blog today with a new project that uses fabric scraps and stencils for a different way to add faces into your art journal.
For a quick little tutorial on how to do this, make sure you head over to StencilGirl Talk for more details.
Today I'm sharing a project I did using Ken's awesome products with StencilGirl stencils. I'm mostly going to be using the Ken Oliver Crafts Color Burst collection, along with some of his very cool Click It stamp pads. If you want to see more, Ken has put together a great video on Color Bursts showing how to use them.
For my post, I've wanted to play with one of the Tim Holtz Folios for a while and this seemed like the perfect time to do it. Below is my final project, and I'll share a few tips on how I used Ken Oliver Crafts products with stencils for some fun techniques.
First up, the cover (using the Falling Feathers stencil by Lizzie Mayne) with the flap closed (I just doodled on that using dimensional paints.)
Without the flap covering it:
And the back cover (using the Nature Notes stencil by Roxanne Evans Stout:)
For both of these, I used a mix of Color Burst and DecoArt Media fluid acrylics along with lots of dimensional paints (of course!) To start, I gesso'd the whole thing and then just spritzed some Color Burst powder around and sprayed with water.
I let all of it dry (it lightened a lot as it dried) and then went through with paints, stencils, and more color burst. For the stenciling, I tapped some powder (like in Ken's video) over the stencil and then spritzed with water to get the shapes. You do have to be careful - both the Color Bursts and the Click It stamp pads will react to water, so you need to plan for that as you build up your layers.
I wanted to get more saturated color around my stenciled images, so I mixed some of the Color Burst powder with rubbing alcohol and then used a pipette to drop it onto the folio. Because I'd outlined my feathers in dimensional paint, that acted as a resist and kept the liquid to the background area. I just used a paper towel to dab any seepage. I love the effect! You can see it even more clearly on the back cover.
Now for the inside...
For the pocket on the inside cover, I made more feathers. Again, just tap the powder over the stencil and then spritz through it with water.
For the first page, I created a stenciled background using the Color Burst and the Curvy Ladder stencil by Julie Snidle. I used the Love Story stencil by Cathy Nichols along with acrylic paint to stencil the design on top and outlined with dimensional paint.
I used my palette knife to spread that through the Love Collage stencil by Traci Bautista, waited for it to dry, and then used it as a gel resist to get more color onto the background with Color Burst and water. It worked so well, and I love how vibrant the gel turned out! I also used the Click It stamp pads with some Dina Wakley stamps to do the left side.
First, I made my own color mist by mixing some of the Color Burst powder with water and then spritzing through the Doodle It Tornado Bloom stencil by Maria McGuire.
Then I stenciled some blooms onto the page with white paint (keep in mind it will pick up color from the dye below it) using the Nosegay Stencil by Cecilia Swatton. I outlined again with dimensional paint, and then made a dimensional colored glaze using some Color Burst mixed with Diamond Glaze (you could use Glossy Accents or other similar products.)
And that's it! I had a lot of fun experimenting with all of the different ways I could use Color Burst and the Click It ink pads - these are really fun and versatile products, and I hope you enjoyed today's project! If you're interested in trying them out for yourself, you can find Ken Oliver Crafts products at Blue Moon Scrapbooking and of course, all of the stencils can be found at StencilGirl or your local store.
And now for the really fun part! Each of the creative teams has a fantastic giveaway, so make sure you visit and comment on all of the blogs this week to enter to win. Leave a comment here to be entered to win a $50 gift certificate from StencilGirl: to enter, comment by Sunday, March 29th at 11:59PM Central Time (one comment per person per blog, please.) Make sure to check all of the posts each day to find out about the other prizes and enter to win - the Ken Oliver Crafts team has some fantastic prizes as well!
Today's hop list:
Thanks for visiting, and make sure to visit StencilGirl Talk every day to get each day's participants in the blog hop!